Die singenden Babies

A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

A short film exploring queerness, blackness and religion.

The 2017 OSCAR® nominated short films, live action: Midenki (Sing), Silent Nights, Timecode, Ennemis Interieurs (Enemies Within), La Femme et le TGV (The Woman and the TGV).

Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.

A romantic drama about two couples shifting sexual dynamics over one night in a music bar.

This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.

In this short animation film we see a world, where the monkeys are music-lovers. As two young chimpanzees are separated by a musical dispute.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

After a disagreement with her mom, 8-year-old Natalie runs away — all the way to her backyard, where she meets a family of rabbits and decides to move in with them. Songs are sung and friends are made in this sweet, funny short film about building trust, overcoming fear, and connecting across difference to make room for everyone.

A bittersweet look at life’s many challenges, albeit as experienced by furry, feathered, and slimy creatures who sound and feel all too human.

Tina, a singing Gypsy with a band of roving gypsies, is invited by Tom to come over to his mother's estate where a lawn party is in progress. She brings along her friends and a whole caravan of gypsies take over the green, telling fortunes, singing and dancing. Most of the comedy is supplied by the kleptomaniac butler, Bellingham, and his employer who humors his nutty ways...as good help seems to be hard to find.

Oksana (played by Sofia Rotaru) is a young and beautiful Carpathian girl. On the "Donetsk-Verkhovyna" train she becomes acquainted with a young miner from Donetsk called Boris. The travellers fall in love, but are parted when they arrive at their destination. In the Carpathian mountains their paths diverge, but Boris (played by Vasyl Zinkevych, soloist of the instrumental band "Smerichka") discovers where she is staying. The couple meet again and rekindle their love. Their friends invite them to perform in a concert for vacationers at a mountain resort, where they sing about their feelings for each other.

The story begins in the basement of a worn-out blues bar in Louisiana in the 1980s. A few regular customers are having a drink. A guitarist gets on stage and everybody comments on the newcomer. The guitarist draws the attention of the audience by tapping the microphone. He introduces himself. He will tell them the true story of Blind Boogie Jones.

An Edgar A. Guest Poetic Gem. It features the original song Take Me Home to the Mountain by Loesser & Herscher.

Amidst many distractions, Samantha struggles to find her voice recording a new song. She encounters a mysterious stranger who reminds her of why she loves to create music.

Misha observes the area with binoculars. In the infinite white, he notices Gia, as lonely as himself.

Before Brian Mills leaves for his first year at Princeton University, he must come to terms with his sexual orientation and be honest with himself after some guidance from his trusted barber.

A bullied teenage girl leads a glee club on a trail of destruction against her high school enemies.

Black and white filming of the song "Das verlassene Mägdlein" by Hugo Wolf to lyrics by Eduard Mörike.