Deranged scientist, Gustav Niemann, escapes from prison and overtakes the director of a traveling chamber of horrors, soon reviving the infamous Count Dracula, the frozen Frankenstein Monster, and the Wolf Man.
Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.
Cartagena, Colombia – 1666. An enslaved woman accused of witchcraft comes face to face with evil incarnate and a Faustian bargain for her freedom while imprisoned in the bowels of the Palace of the Inquisition.
In a utopian world based on artificial intelligence, a young woman who dislikes the reality in which she lives and dreams of life as a theater star, loses everything when her robotic pet doll steals her dream role.
Frankenstein's unscrupulous colleague, Dr. Bohmer, plans to transplant Ygor's brain so he can rule the world using the monster's body, but the plan goes sour when he turns malevolent and goes on a rampage.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
Plot details are being kept under wraps other than it revolving around a mythical monster.
A group of people gather at a Copenhagen suburban home to break all the limitations and to bring out the 'inner idiot' in themselves.
As Erin packs her old life into boxes, she overhears a violent attack in the apartment above that derails her night.
Out on their first date, high-schoolers Brett and Erica defy Erica's father's warnings about mysterious local legends, and take the infamous Proctor Valley Road shortcut home, risking their lives as they end up in a race for survival.
A traumatized cheer captain races to stop a masked killer and the new tourist attraction aimed to exploit her tragedy from a year earlier.
After a traumatic accident, a tech entrepreneur's new invention forces him to wrestle with the ghosts of his past.
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
A remake of the 1954 film. Plot TBA.
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
A mysterious video has been linked to a number of deaths, and when an inquisitive journalist finds the tape and views it herself, she sets in motion a chain of events that puts her own life in danger.
A young woman, trapped in the throes of a binge eating disorder, becomes a ravenous creature threatening to devour the town.
In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.
World famous pop group the Spice Girls zip around London in their luxurious double decker tour bus having various adventures and performing for their fans.
Loosely based on Franz Kafka’s short story, 'GIVE IT UP!' is a live-action animation odyssey through the confusion of life in the modern world. The narrative follows a lone salesman trapped in a timeless city, increasingly lost in his feverish dreams. Desperate, he races towards a train station as his last hope of escaping the city, encountering divine light, winding roads and the forces of bureaucracy. This deeply personal and referential work preserves Kafka’s absurd humour and pays homage to Weimar cinema of the 1920s, but also elevates the text to an existential meditation on authority, purpose and human helplessness.