The Origin of the Myth Discovery Association - 4

Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.

Decently known actor and YouTuber Alan Kenton decides he wants to embark on a thrilling adventure with his newly founded Myth Discovery Association. As he dives into a series of mysterious investigations, audiences are treated to a captivating short film starring Kenton himself.

I'm okay - B.H

I was at the park in my hometown (Manhattan Beach) and there was this weird man staring at me. - E.P

Following the tragic deaths of two beloved actors, a team of investigators embarks on a journey to unravel the mystery surrounding their demise. Little do they know, their investigation will lead them down a dark and perilous path, where they will come face to face with the most malevolent entity on the planet.

After the tragic loss of his friend, Winslow Fulke inherits the Myth Discovery Association. In hopes of avenging his companion, Winslow has to navigate the challenges of leadership as he delves into the Association's unfinished missions.

The start of a long and great legacy.

Two friends take a trip to Manhattan Beach. They spend their day unaware that the most evil being on the planet is lurking in the same town.

It doesn't matter if it takes me a lifetime. - R.A

Two unsuspecting children find themselves lured into the house of the most evil being on the planet.

Two investigators, Jamal Johnquin and Jarious Goldbug have sought after a beast known as the "Simple Dimple." It is known to eat humans and it is very dangerous.

A woman is chased by the wind of an arriving train. What follows is a visual ride, the camera becomes a protagonist of the film itself. The levels of inner film reality and the film material itself influence each other more and more to the point of physical destruction.

Investigators Highbrow Frenzy and Demarcus Garcia search for the elusive German, Gronkle Donkle. It was a tale spread through 19th Century folklore, where the creature was said to steal toys from little kids.

A thought that came to me before my test of leadership. - A.C

An aspiring actor named Alan Kenton embarks on an adventure with his friends to track down the mythical Gronkle Donkle.

A teenager reflects on his pre-pandemic life before his first day of online class.

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

An astronaut is detached from his space station, taken into an infinite drift throughout the universe. Freed from time and space, DRIFTER is confronted with the void. He takes a dive into the unknown, in search of the ultimate freedom.

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

A compilation of non-narrative, mischievous, fictional tableaux vivants featuring two young women on a dreamlike, summer-like quest for self-discovery, written in the glittery language of music videos, fashion shoots, and meandering streams of consciousness, set to a nostalgic mood track that evokes universal, bittersweet sentiments.