Azaad

The saga of Mazhuddin Khan alias Immi, born in 1939 in Bombay, British India, as a eunuch, whose mother, Zeenat, in denial that she has sired him, refers to him as her younger brother. She attains fame, has an affair with Inder Kumar Bhalla, only to lose him years later to a younger actress, Chitra. Embittered, she sets out to seek vengeance, takes to gambling and alcohol, isolates and alienates herself from the film-world, and then must also deal with the news that Immi has become the 'father' of a male child, Murad. In the end, it is Immi that saves her from total self-destruction.

Ramesh, the youngest son of a well-to-do family, falls in love with a woman he hears singing on the radio -- even though he's never seen her. When he finds out his mystery woman is Ksama, a servant in his parents' house, everything is thrown into turmoil. Will Ramesh accept Ksama? Will they get married? Love may just conquer all in this classic Bollywood melodrama.

After dreaming of a beautiful girl for over 8 years, Budapest-based but born in Rajasthan, Karan, finally gets to meet her in the shape and form of Varsha, who happens to be the foster daughter of his lawyer, Sahid. Karan is confident that Sahid will convince Varsha to marry him - little knowing that Varsha will not only refuse to marry but she also hates men, and had a parallel New York-based lifestyle as Payal Mehra.

Anubhav relocates to support his son’s studies. The big change slowly turns him into a cynic, impacting his mental health and everyone around him.

Sudha Mishra is 67 years old, divorced woman that leaves the responsibility of taking care of her house by Sumit, her niece’s fiancé. The most important instruction given to Sumit was to ‘Feed The Fish & Water The Plants’. His very acceptance into the family was dependent on this instruction. When she returns a month later to her Vasant Kunj house, everything seems to be in order till she opens the bedroom door and a woman wearing white, wailing loudly.

A prince disguises himself as a common man to win the love of Seema, a middle-class woman. Complications arise when his true identity is revealed, testing their love and trust.

Abida struggles to amplify the voice and the right to equal love for her daughter Duaa, in a family that shuns the girl child.

Nisha Verma's relatives wish that she would marry her cousin in order to keep the wealth in the family, but instead, she falls for an unapproved man named Ramesh, who is later accused of murdering her father. Having witnessed her lover at the scene of the crime, Nisha testifies against Ramesh, who's sentenced to death. But she's plagued by questions about why Ramesh was in her house and whether, in fact, he was responsible for her father's death.

Shail is devastated when he finds his wife Leela having an affair with his friend Paul. He shoots Paul and then runs away. After surviving a suicide attempt Shail found out that Paul and Leela are spending Shail's money.

Shab is a story that revolves around multiple characters' search for happiness and love in a complex, unforgiving, and cold city.

A short film on eve teasing by Anurag Kashyap, it talks about issues related to gender sensitization and equality of genders.

A combination of three stories, each exploring a different stage in life - A CHILD involved in armed conflicts, a BOY in drug peddling and a MAN entangled in elephant poaching.

Directed by Mohammed Hussain. With Helen, Satish Kaul, Dev Kumar, Rajendra Nath

Anmol is made to work as a maid in her own house by her step-mother and step-sisters. Later, a singer falls for her and decides to free her from her family.

Raja is a small-time smuggler. His sweetheart, Priya does not approve of this, and convinces him to give up his smuggling activities, and turn the information over to the police. He does so, only to find that he has been framed for a murder he did not commit. When he decides to entrust himself to the justice of the courts, he is convicted of murder and sentenced to jail. In jail he encounters more problems, and needs all his wits to stay alive. Back to Priya; Raja's former smuggling colleagues, including corrupt police officers are openly harassing her, and no one seems to be able to look after her. Raja must get out of jail to find out who has framed him, and who is the king-pin behind the smuggling ring.

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

Young, innocent Lahula's mother Mathru and elder sister Rajjo have multiple husbands at the same time. Illegal but socially accepted polyandry is practiced in their community for various socio-economic reasons. Multiple brothers share one woman as their wife and she is supposed to sexually oblige all of them in equal manner. Lahula loves Shiv and wants to marry him. Shiv has been disowned by his family because he refused to share his elder brother's wife. Lahula doesn't succumb to this unethical, emotionally not acceptable, illegal custom and rebels when she is forced by her parents to marry Daulatram along with his three brothers. She compels the society to rethink the way they treat women -the society, which is obsessed with having only male child.

Arun Khanna is a spy for the Indian government whose aid is enlisted to stop ISI Chief Ishak Khan. Khan is trying to build a nuclear bomb with which he can liberate Kashmir from the Indians. A battle of wits ensues. When Khan detonates a bomb at Khanna's engagement party to a fellow spy, Khanna's resolve is only strengthened. Now not only does he have to fight Khan, but he also has to track down his missing fiancee.

In a small village in Darjeeling, Sahuji the merchant has weaved a web of corruption in every layers of the social fabric. And he is also involved in rampant smuggling of goods across the border, and everyone from the local jeweler to the local police inspector are part of his intricate web. While the father has created a position of influence by spreading corruption, his son Kaaliram has ushered in a reign of terror. Desperate villagers make a plea to the owner of the tea garden, who calls (presumably) the higher ups in police force and they promise to send someone.

Khoj