Sunday Lovers

In Gack's house, someone is constantly robbing him of bread and pastries. The main suspect, according to Lopušný, is his companion Belák. The farce ends with Gacek being punished, Lopušný and Belák being compensated and reconciled with the rich thief. The main storyline of the farce Pytač consists of the fourfold transformation of the landowner Dobši, his wife Pľuta and his daughter Matilda, who is about to be married off.

A domestic worker who became pregnant with her employer's child is unexpectedly reunited with the father of her child.

Two stories full of sensuality with fun entanglements between the servants and their bosses.

An omnibus of ten short films by ten young directors.

The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.

September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.

Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.

During the end of the world, two best friends walk around their city, talking about their sex lives, and one of them reveals they are still a virgin.

Four separate-but-interconnected stories - one for each season - about life in Sardinia.

At fictional Harrad College students learn about sexuality and experiment with each other. Based on the 1962 book of the same name by Robert Rimmer, this movie deals with the concept of free love during the height of the sexual revolution which took place in the United States.

Anthropology student Daria, who's helping a property developer build a village in the Los Angeles desert, and dropout Mark, who's wanted by the authorities for allegedly killing a policeman during a student riot, accidentally encounter each other in Death Valley and soon begin an unrestrained romance.

It all begins at a party in Santiago, Chile, when a seemingly innocent gesture -- the offer of a ride home -- ends in a passionate night of lovemaking and intense conversation for young singles Bruno and Daniela. Shacked up at a flea-bitten motel for a one-night stand, the pair lingers deep into the night, alternating between powerful physical encounters and an ever-deepening emotional connection.

Introducing Hellarious: a once-in-a-lifetime feature collection that brings together seven of the most legendary horror comedy shorts ever made. The stories, from some of the world’s best genre filmmakers, feature a hilarious menagerie of zombie wives, amateur satanists, reverse werewolves, cannibal lunch ladies and more -- along with gust-busting gags, gross-outs and gore. Included in Hellarious: Lunch Ladies by Clarissa Jacobson and J.M. Logan, Horrific by Robert Boocheck (ABCs of Death 2), Death Metal by Chris McInroy, Born Again and ‘Til Death by Jason Tostevin and Randall Greenland, Killer Kart by James Feeney, and Bitten by Sarah K. Reimers.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

Alessandro has a thing or two to learn. Carroll Baker, in her role, is the perfect teacher.

A young film student pursues a woman while studying under a bizarre, eccentric film professor.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.

A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.

Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.