Keep Moving

Chuck McCarthy, an intrepid young ironworker, longs to become an actor, despite the protests of his girl, Molly O'Connors, and his family. In dashing up the frame of a building to catch actress Bijou Lamour's runaway pet monkey, he attracts the attention of the studio managers, who make him a stuntman. For a time Charles is happy executing life-risking feats and strutting around in new clothes, although the company laughs at him behind his back. When leading man Marmaduke X. Caruthers refuses to perform a particularly dangerous stunt in a war film, Chuck doubles for him and is seriously injured. The studio manager, who recognizes in the incident an opportunity to promote his star, quickly wraps Marmaduke in bandages and sends him to the hospital, while Chuck is secretly removed through the back door. The next day, the Filmcraft Company sends Chuck a check for $1,000 to keep quiet about the accident. He and Molly use the money on their honeymoon to Niagara Falls.

Newlyweds Käthe and Max met while studying law. Trouble ensues when Max takes on his first case without telling his wife.

Minnie, the homeliest girl in town, is devoted to her father, a discouraged inventor who has been working on a wireless device. Subject to the sneers of her neighbors, Minnie "invents" a lover and sends herself letters and flowers. Her stepsister suspects the truth and threatens to expose her. Desperate, she claims an unidentified body at the morgue and tells a reporter that this is her lover, unaware that the body is that of a Chinese man. The absent-minded reporter sees her heart and forgets about the big story. After further disappointments in the invention, Minnie's stepmother decides to leave her father. Her father then has a success and becomes rich. At a celebration, the stepsister and townspeople are surprised when a new couple appear, which turn out to be the former reporter and his lovely wife Minnie.

Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.

Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.

Charles, Joseph and Sir Benjamin are in love with Maria and Lady Sneerwell is in love with Charles.

Directed by Max Urban.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

A chaotic, night-long comedy ensues when a newlywed couple's celebration is interrupted by rowdy in-laws, a pet parrot that gets stuck inside the cooked turkey, and a series of slapstick mishaps. The turmoil is resolved when a perceived, romantic misunderstanding is revealed to be a secret surprise celebration for the husband's new contract and salary increase.

Mrs. Letitia Summers, owner and principal of an exclusive boarding school, decides to give her two nieces an education while deciding which will be her heir unbeknownst to them. She writes each a letter, stating that a lady of means has provided for their education at Mrs. Summers' seminary. Edith and May are both delighted with the news, but while Edith leaves with her modest belongings May immediately demands a lot of new things to satisfy her vanity and desire to make a great impression. May attracts considerable attention upon her arrival but Edith, in her modest wardrobe, is received with disparaging remarks. Both do well in their studies but on graduation day Mrs. Summers calls the two girls into her private office and tells them that she is their aunt, and she has chosen Edith as her heir in recognition of her kindness and thoughtfulness towards others, particularly towards her poor mother.

The story centers on Flapjack Ike (played by John Bunny), a dominant local figure or "autocrat" in the titular town. Ike faces off against Edith, the Widow (played by Flora Finch), who challenges his authority.

Alice takes her little siblings Billy and Kitty to a matinee. They immediately become imbued with the wonderful idea that they are actors. They set up a miniature stage of their own in the summer house on the grounds. They spy upon their sister and her sweetheart Bob, and reproduce their affairs. A quarrel furnishes material for an interesting production, which is a revelation and a lesson to Bob. He goes and makes amends, acting upon the suggestions of the performance.

Pan profesor, nepřítel žen

No prints of the film have been preserved so the film can be considered a lost film. The original screenplay has also been lost. However, some plot descriptions are still known based on contemporary newspaper advertisements of the film. As the name would indicate, the film tells about two local men who are making moonshine in the woods. A customer comes to them, and while sampling the product they start a game of cards, which eventually leads to a fight. While the fight is going on, the local police shows up and arrests the makers while the customer manages to escape.(Wikipedia)

An escaped lunatic threatens the romance of his wife and her new suitor.

A short burlesque that is lost today.

The secret formula for the world's most powerful explosive has been stolen from the U.S. government. William Brown, a clerk who aspires to be a detective, has just received his badge from some anonymous Midwestern agency, and manages to get himself embroiled in the intrigue.

When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...

Bobby, the doughboy, has left his sweetheart behind in Paris. He returns for her and has the greatest difficulty locating her. In his hunt he runs into the tough White Rat Cafe, where the Darling of Paris becomes enamored of him, thereby arousing the jealousy of her lover, who threatens Bobby with dire consequences. Bobby escapes, runs into his sweetheart, and in the chase, the villain at his heels is captured by the police as a badly wanted criminal.

No known surviving copy is known to exist. This well received film revolved around Harry Van Housen's rejection from service in WWI and subsequent heroism in foiling a ring of spies.