Downtown

Fourteen-year-old Li Xing lives in a district full of ruins and reconstruction. School brings him nothing but problems and his family is no help at all. One day, he finds an underground shelter where strange things happen...

Taken in 1896 on the Boulevard (upper Broadway) on the occasion of a bicycle parade in the heyday of the wheeling craze. Old-fashioned horse cars lend interest to the scene.

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

Laetitia and Yéliz are two teenage girls from a small suburban town who cherish the dream of opening a hairdressing salon together.

This short documentary shows how a city's water supply is purified at a filtration plant. The complex system of the underground mains that supply all parts of the city with water is also illustrated, as is the safeguarding of water supplies on trains, ships and aircrafts.

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.

Little Fatmir, whose parents have worked in a construction site, dreams of building himself a town. In his efforts to make his dream a reality, the kindergarten teacher and a workman who brings in working tools for all his friends, assist him. Within the courtyard of a kindergarten, the newest town in the world is thus erected, where children's dreams and characters are revealed.

Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.

A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.

Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.

In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.

A history of the bridges of Paris, through modern views and historical engravings.

MELEDELO LIFE

Goodbye [good-bahy] interjection: a concluding remark used at parting. Tallahassee [tal-uh-has-ee] noun: A vortex of a city that never lets you go.

A 23-year-old revisits the family car he grew up with to experience the thrill of childhood again...

A grandfather is fed up with his stubborn son, who doesn't want to accept a penny from him to develop his farm. So the old man decides to bring his 18 year-old granddaughter Martie to live with him in the city.

A young woman leaves the comfort of her small rural community to pursue opportunities in a big Canadian city. She encounters obstacles that almost force her to return home, but she eventually picks up the skills to adjust to the city.

Memórias de uma Caminhada à Noite

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