Return to Reason

An edited version of Rosefeldt's installation work of the same name, Manifesto is an outstanding tribute to various (art) manifestos of the nineteenth and twentieth century, ranging from Communism to Dogme, in connection with thirteen different characters, including a homeless man, a factory worker and a corporate CEO, who are all played by Cate Blanchett. A striking humorous audio-visual experience.

Des rêves pour l'hiver

An elderly painter, who hasn't touched a paintbrush for quite a while, wanders around the city with a film camera. One day he sees two beautiful girls through a cafe window. A wonderful image, but it starts to slip away from him.

"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.

A wealthy Japanese patron, enamored with Rousseau, offers an atypical and versatile filmmaker the opportunity to freely adapt Jean-Jacques Rousseau's epistolary novel into a film. The filmmaker brings together three young actors in a deserted palace above Clarens and begins shooting. Rousseau's tragedy then reverberates through the contemporary characters.

A compilation of erotic films intended to illuminate the points where art meets sexuality.

O Real

Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.

Mathematics teacher Bernd comes to the conclusion that the youth's morals, values and thoughts (sexuality) are quite different than he thought they were.

The Alchemist assembles together a group of people from all walks of life to represent the planets in the solar system. The occult adept's intention is to put his recruits through strange mystical rites and divest them of their worldly baggage before embarking on a trip to Lotus Island. There they ascend the Holy Mountain to displace the immortal gods who secretly rule the universe.

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

Monsterlike cranes reign over an inhospitable harbour as prehistorical reptiles. The only human being they accept is a lonesome fisherman. He is to witness a strange encounter between a ship's mate and a mermaid. Imagination or reality?

Julien is 10 years old. He pretends to go to school but then hides out under a bridge, his backpack filled with clothes. A few kilometers away, 15-year-old Joséphine does the same and waits for the bus.

Arthur “Art” Prince finds escape from his otherwise unremarkable life by dominating the “Sting-Pong" scene at a local underground club. However, when a mysterious challenger suddenly appears, Art is forced to confront his self-destructive tendencies.

The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.

Marco and Lisa are in love. Online, they fight together against dreadful monsters. Sometimes they die on their mission, but there’s always one life to spare. Yet, Lisa refuses to meet Marco for real. One day she stops showing up for the game, Marco decides to go searching for her.

Mid-summer heatwave. Nikos and Alain, two male prostitutes and a female pimp, Monica, get tangled in a peculiar relationship after meeting in a dark street called POUTANA. They fall in love, play with guns and talk about card games, money and theatre castings. Is this a game of role playing the three of them have invented to pass their time in a remote, empty summer house? Have they been reading Jean Genet? Whether a mirror image of the characters’ reality or an elliptic depiction of their distorted, dream-like perception of it, I Afroditi Stin Avli, by juxtaposing disparate literary and art references, leads its isolated characters towards dissolution. And yet, in its strange language, it presents this dissolution as a triumph.

Kumiko is now a second year and one of the senior players of the euphonium section. With new underclassmen joining the concert band, Kumiko will have to learn new things in order to deal with awkward and difficult underclassmen. She and third-year trumpeter Tomoe Kabe have been chosen to lead the new underclassmen members. Among the new members to Kumiko's bass section are euphonist Kanade Hisaishi, whose appearances are deceiving; tuba player Mirei Suzuki, who cannot adapt to her new environment; tuba player Satsuki Suzuki, who wants to get along with Mirei; and double bassist Motomu Tsukinaga, who cannot talk about himself. Between the Sunrise Festival, chair placement auditions, and the competition, a number of problems quickly begin to arise.