Under Mango Trees

The Narrative of a Lost Soul, Between Two Flags is a deeply personal and emotionally resonant drama told through the voice of a Lost Soul, he narrates the life of his mother, a Tamil Eelam refugee, and his father, a former Indian Peace Keeping Force (IPKF) soldier. Born of war, torn by history, As it uncovers a story forged in the most unlikely of places a battered refugee camp during the final years of the civil conflict. Which carriers horrors of war, the weight of a Lost homeland and a language of silence. As he sifts through old letters, voice recordings, and fragmented memories, he reconstructs a painful but beautiful portrait of two individuals caught on opposite sides of history and how they chose love, despite politics, bloodshed, and betrayal.

'Okkadu Migiladu' is the story of displaced Sri Lankan Tamilians who find themselves stuck with the tag of 'refugees' all their lives. The mistreatment they face both in India and Sri Lanka, with either country refusing to accept them as their own, forms the crux of the story.

Aanivaer is a Tamil independent film directed by Indian Tamil film director John Mahendran. The film was shot in Sri Lanka with a story and screenplay revolving around a love story amid the ongoing Civil War in Sri Lanka.

Nandha returns after serving his term for killing his father. Although he killed him to save his mother, she does not forgive him. He is then taken in by Periyavar, who shelters Sri Lankan refugees.

An Indian intelligence agent journeys to a war-torn coastal island to break a resolute rebel group and meets a passionate journalist.

This short documentary presents the process surrounding Khate Lessard's sex reassignment surgery.

A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.

The film takes a look at the life of NFL hall-of-famer Jim Brown. The film delves into his life—past, present and future—focusing on his athletic career, acting and activism. Many people from Hollywood and sports backgrounds were interviewed for the film. Members of Brown's family were also interviewed for the film.

An in-depth look at the artist Dwayne "Lil Wayne" Carter Jr, proclaimed by many as the "greatest rapper alive" With comprehensive and personal interviews with Lil Wayne, this film will also feature insight from those that know him best. The world will finally get to know the history surrounding one of the most prolific artists of this generation.

A report from Spångens Snickeri in Norrköping, where disabled and odd people work. Each one works to their own ability. The film is about the essentials of life – about community and love, and about what and who really is different. A film about everyday occurrences in a new light.

"What if someone wrote your biography? Would there be horns and halos involved?"

Watch and enjoy the large variety of acts in an old-fashioned circus! The film was made available in sound and silent versions.

The atelier of the painter Gonçalo Pena merges into his work. The space's occupation is divided between the solitary and silent moments devoted to painting and the shared moments devoted to conversations with all those who visit him.

'I want to make a film about women' is a speculative documentary love letter to Russian constructivist women. The new Soviet Union of the 1920s championed equality for women and great innovation in the creative arts. Until it didn't. Looking back at that time, history remembers the men who were celebrated and then shut down. But women were there, too, and they were influential, powerful and brilliant. 'I want to make a film about women' gazes in to a creative communal kitchen and watches these women transform it into a workshop, then a stage set, then a film, all the while juggling noisy men and the wolves of history. It imagines what the revolutionary women artists of the 1920s said, what they did, and what they might have created had it not been for Stalin's suppression.

Footwear company Togo was a family business that thrived reaching the point of owning more than 30 stores in the wider Turin area. All that is left today is a couple of struggling stores, enormous suffocating debt, and the desperation of uncertainty as bankruptcy is looming in. Director Gianluca Mattarese has been living in Paris for the last 18 years meticulously fencing himself off from the harsh reality of a family breakdown. Like a prodigal son, he eventually returns to his roots with the task of recording a routine of malaise framed by financial collapse. A bittersweet tale of family bonds, reuniting, and atonement.

Simon Fanshawe decries what he sees as superficiality and promiscuity in the gay community.

Jan Gerdes is a third-generation dairy farmer, but he struggles with his conscience when the milk yield decreases and he has to sell his cows to the slaughterhouse. After suffering a burn-out, he decides to give up his farm. On the day his last cows are due to be transported to the slaughterhouse, he finds that there's no room for twelve of the cows. Instead of ordering another transport, he and his partner Karin Mück decide to keep them. This is the birth of 'Hof Butenland' - the first cow retirement home in Germany.

SATELLITES is a documentary about the passion for soccer told through the points-of-view of characters who were following somehow the final match of the Brazilian Soccer Cup. The film moves the focus from the game to the field's margins, to the fans, to outside the stadium. The movie intends to capture the tension, atmosphere and charm of a final match. SATELLITES translates, based on images captured during that game, the sensation of being at the stadium watching the game with no images of the game itself.

On July 18th of 1995, Montserrat's sleeping volcano rumbled back to life after hundreds of years of dormancy. This is the ten year story of that eruption and it's effects on the people of, 'The Emerald Isle of the Caribbean'.

Takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.