Dancing at Budokan!!

Features the concert held by Eir Aoi at Nippon Budokan on August 16, 2018.

May J.'s stand alone concert at Nippon Budokan on January 18, 2015.

Filmed at the world famous Nippon Budokan on February 17, 2024. Part of the NEMOPHILA 5th Anniversary - Jigoku No Yurufuwa Live At Nippon Budokan Blu-ray/DVD release.

Recordings of two live performances by Malice Mizer edited into a complete concert experience of the visual kei band’s third studio album "merveilles", filmed while on tour during 1998 at the Nippon Budōkan Hall (April 1) and Yokohama Arena (July 22) in Japan. The live video features an onstage cathedral set piece, theatrics, costume changes, and skits performed as openings/endings to songs. The final show of the merveilles ~Shuuen to Kisuu~ tour held July 22, 1998 at Yokohama Arena (featured in the film) would be lead vocalist Gackt’s last performance with Malice Mizer before leaving the band in January of 1999 and drummer Kami’s last live show before his sudden passing on June 21, 1999.

Concert film featuring sphere's first live Nippon Budokan performance on November 23, 2010. Sphere consists of Minako Kotobuki, Ayahi Takagaki, Aki Toyosaki, and Haruka Tomatsu.

Concert film featuring ayaka's first one man live at Nippon Budokan on December 20, 2007.

Muse performed for Reading and Leeds Festivals 2011 as headliners.

A horror film disguised as a music video for American band 16, 'Sadlands' tells a story of two kids held captive by their mother's substance abuse.

Deep in the poorest neighbourhood of Havana, you will find Rumba Morena; a band of nine drummers and singers performing with astounding passion and fervour. Whilst it is not unusual to hear Rumba drifting from back alleys in Havana, Rumba Morena is different - they are all women. Cuban Rumba is traditionally played by men only, and Rumba Morena breaks the mould. Uproar explores the complex intersection of religion, music and gender dynamics of Rumba Morena – and the roots influencing the male resistance to it.The film aims to peer under the skin of the complex intersection of religion, music and gender dynamics affecting the circumstances around Rumba Morena and explore the roots influencing the male resistance to Rumba Morena’s music.

Tom is a grossly engineered man who is getting a bit old now. Despite his age, he wants to learn to play the piano. However, his music teacher Tina is search desperate for his talent. And so Tom has to find his own language and access to music.

DG presents John Williams in Vienna, the live recordings of the Hollywood legend's Vienna Philharmonic 2020 debut. Saying it's "one of the greatest honors of my life," he received a standing ovation before a single note was played. Sharing the stage with the famous orchestra and violinist Anne-Sophie Mutter, he performs iconic themes from Star Wars, Harry Potter, Indiana Jones, Jurassic Park and other cinematic landmarks that have earned countless awards: 5 Oscars, 5 Emmys, 25 Grammys & more.

ECDL - Las ventas

A short film created for Spanish TV touching on the subject of Catalonia's struggle for independence, interspersed with symbolic images.

Mecano - Mecano en Concierto

Mecano - Tour 91-92

Russian musical performers, and with them familiar movie characters, began to speak and sing in a romantic language in the style of the French pop of the 60s and 70s.

Luiz Gonzaga - Danado de Bom

When record store owner and compulsive list-compiler Rob Gordon gets dumped by his long-time girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in order to figure out what went wrong. As he examines his failed attempts at romance and happiness, the process finds him being dragged, kicking and screaming, into adulthood.

Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.

The Abercrombie, Erskine, Mintzer, Patitucci Band - Live In New York City