Detective Heiji

Amagi Goe, based on Seicho Matsumoto's novel, has created numerous stars through its visualizations. Erika Ikuta will take on the difficult role of the main character in this adaptation.

Momotaro carries this sword into battle against injustice in shogunate Japan. Aided by ninja he must now wage a furious battle against the terrible “Ran” clan, villains in league with Ohara Ukon, a bitter samurai nursing a grudge against the shogunate. Together the ruthless conspirators will threaten the foundations of shogunate rule over Japan. Only the relentless slashing sword of Momotaro may save the nation from the Ran clan's army of killers.

In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.

Kon Ichikawa's retelling of the classic true story of Samurai honor. When a young clan lord is forced to commit seppuku (ritual suicide), his loyal followers (now Ronin, masterless Samurai) dedicate their lives to avenging his death.

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

A jidaigeki film on Banzuiin Chōbei produced in 1940 and directed by Yasuki Chiba.

At Sakurada Gate in 1860, the shogun’s chief minister and his retinue of bodyguards are ambushed and annihilated. Bearing the responsibility and shame for this failure is Shimura Kingo, master swordsman and chief of the guard. Forbidden to take his own life in atonement, he is instead tasked with hunting down the remaining assassins; however, fate intervenes and now only one is left. Devoted to his late lord and his duty, he relentlessly pursues the sole remaining assassin for the next thirteen years. But times are changing in Japan and the way of the sword has become outlawed. What does this mean for Kingo?

A story about a tomboy, Otoshi, who is good at singing, dancing and fencing.

Two rogue vagrants make their living as "manure men", turning the waste from the tenement toilets into fertiliser sold to local farmers. Enter Okiku, the only daughter of a fallen samurai, and amongst the overflowing piles of excrement, a well-nourished love story unfolds.

The 21-year-old feudal on Sendai, Tsunamune Date, was prohibited to go out in the daytime for his misbehavior during his short stay in Edo. On the next day, his 4 attendants were killed one after another. Sakai Utanokamike, the Rozyu, is turned out to be involved in this scheme, and the aim is to destroy the Date family. Tsunamune's brother Munekatsu Date who is willing to take over the family doesn't know the real purpose of Utanokami and helps him. Munesuku Harada gets to know the whole picture of the incident and takes action alone for the sake of protecting the Date family, leaving his own family. His lonely fight continues for 10 years and he got in danger in Utanokamike's house, and...

One evening, when the monk Saito Musashibo Benkei was luring for his sword number 1000 at Gojo bridge, Shanao (later Yoshitsune), a young man of small and fragile stature passed by. He wore a nice sword and played the flute.

小ぬか雨

吹く風は秋

小さな橋で

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960's Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

鬼平犯科帳 老盗の夢

The Ghostly Detective: Honjo · The Cherry Mansion