Beatrix Cenci

Inan, who received the title of Amhaengeosa, and Dalgira, who is said to be able to possess a spirit, is going to visit the exorcist and meet Eowoo-dong, whom she loved in the past. However, she is deceived and has a false affair. On the way to work, I accidentally meet a woman named Arang, who lives in a shabby house in Sejin. Something is weird. Whether it’s a ghost or a person…

Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.

LA PIETRA DEL PARAGONE (The Touchstone) concerns the Count Asdrubale who is wealthy and therefore of great interest to many women – notably Aspasia, Fulvia, and Clarice. Only Clarice, however, loves him for something other than his riches. There are also male hangers-on: the corrupt journalist Macrobio, the poetaster Pacuvio, and Giocondo, who is Asdrubale's true friend, but who has his own eyes on Clarice. To test his friends and would-be fiancées, Asdrubale pretends that he has been bankrupted. Sure enough, only Clarice and Giocondo stand by him, and when his fortune is "miraculously" saved, the three have the last laugh on everyone else... or do they? This production is set in what looks like the early 1960s. But the real innovation is the use of blue screen technology: using tiny cameras and sets, along gigantic screens hanging over the stage, a kind of video mixing makes the singers appear to inhabit any number of fanciful settings and perform a myriad of improbable actions.

Award winning singer Katherine Jenkins performs an intimate concert in London's Cadogan Hall, accompanied by special guests, Collabro. Performing for a small audience of invited guests, and accompanied by a 25-piece orchestra, the celebrated artists will sing the songs that have made them famous - a selection that includes classical, popular, and musical theatre numbers.

"Irresistible" (Opera News) rising-star mezzo Elina Garanca triumphs as Rossini's Cinderella in this delightful Metropolitan Opera production. "As close to pure joy as you will find in a big-time opera house" (New Yorker), conquering audiences and critics alike, "Garanca has a gorgeous voice that she uses with exceptional skill, melting tenderness; but when the part calls for coloratura fireworks, she unleashes a flawless technique and ringing high notes of impressive power" (Associated Press). Filmed in High Definition Widescreen.

Two beautiful girls run for company secretary position, both girls try their best to please their boss...

High schooler Haruna befriends loner Yamada, then is drawn into the tangled relationship between him, a model and the girl who loves him unreasonably.

Vivaldi's opera L'incoronazione di Dario staged by Teatro Regio di Torino, conducted by Ottavio Dantone

The hero of this admirably complete August 2013 Guillaume Tell from Pesaro is homegrown maestro Michele Mariotti. The inimitable overture is (mercifully) unstaged and terrifically played, with splendid cello and flute solos: the fine standard never flags. Rossini’s extraordinary 1829 score audibly presages Meyerbeer, Berlioz, Glinka, Verdi and Wagner, among many others. Graham Vick’s direction privileges class conflict, with a clenched fist on the red-and-white forecurtain. The Edwardian costumes place Austrians in white evening garb; the black-clad Swiss polish the floor while the rulers savor a filming (much of that to follow) — the fisherman Ruodi, in a boat with a blonde and fake scenery, with Tell and his family providing tech support. Vick deploys geographical and historical kitsch liberally but not (always) pointlessly. Ron Howell’s pretentious, mannered choreography, however, beggars belief.

Tommy, who has been unemployed and has been employed after a long time, goes on a date with his girlfriend before he goes to work for the first time, and also bumps into the mill together. Tommy comes home with a lot of disgusting jokes about his girlfriend and wakes up with a man he's never seen before... He ran to Ji-hyeon from dawn, but Ji-hyeon tells him to leave before reporting. How will Tommy deal with this absurd situation...

The Franco Zeffirelli production of Puccini's "Turandot", recorded live at the Metropolitan Opera in April, 1987. Éva Marton stars as Turandot, with Plácido Domingo as Calaf, Leona Mitchell as Liù, Paul Plishka as Timur, and Hugues Cuenod as L'Imperatore Altoum. James Levine conducts.

Home visits by consumer electronics after-sales service technicians. Customers were fascinated by the passionate management of their products. That's how the temptation begins. Will visiting knights be able to escape the temptation?

A married woman had no choice but to move in with her in-laws' house after her husband's business went bankrupt. Her father-in-law, who has been widowed for a long time, feels his daughter-in-law is a woman, and the daughter-in-law begins to feel uncomfortable with him. This discomfort was not just a feeling, and eventually the father-in-law openly expresses his lust for her daughter-in-law and starts to touch her.

Jeong-cha is a sexless married man. Although he is married, he secretly likes his manager, who is the only hot spot in the company. One day, Jeong-cha discovers a strange relationship with her boss, and the manager learns that there is a secret contract between the two of them. Jeong-cha sticks around by her side to sign a contract with her manager.

23-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...

A female college student is working part-time at her father's laundromat business. One day she had an unusual laundry request: to have the laundry delivered to the customer's house. She carefully opens the door and enters the house, where she witnesses sex between a man, who appears to be the owner, and a woman. The female college student, who hides in the kitchen, watches the scene and is caught by the man while masturbating. A man who is having fun offers sex to her, who is in a state of excitement, and the atmosphere between them becomes luscious.

The first story is about the first experience of a dim and innocent man in a karaoke room. The second story is about the experience of a young bride who is dissatisfied with her husband. The last story is about a woman who is in trouble after having drunken sex with her male friend.

N. S. Dombrovskij

Devising a fantastic universe, in which ancient make-up and costumes share the screen with contemporary elements such as limousines, helicopters and mobile phones, 'Philosophy in the Boudoir' intends to blur the borders of realism and make the spectator get closer to timeless issues. The boudoir inside an industrial plant brings an aggressive aesthetics to the teachings and orgies. The takes are developed in different ways. The franzy of orgies has a fast editing, whilst philosophical moments are long sequence shots. By bringing to the contemporary world a 200-year-old romance, we intend to trigger questions about the real moral changes in Western society. It is also interesting to highlight Sade's feminism. His female heroes are independent women, masters of their own sexual drive. At last, due to the solid theatrical background of the artists, the film was inevitably contaminated by unusual procedures, contributing to new possibilities of exchange between arts.

Beethoven's opera Fidelio.