One Man Band

What happens when an 18-year-old babysitter finds out she's sitting for a 27-year-old slacker?

"Sometimes you remember things that never happened and people who never existed. These are the stories of some people I think I remember." Family & Friends is a film about remembering.

Omar and Pete are half brothers. When their parents are eaten by lions they embark on a journey to find Omar's real father. What follows is a funny, heart-warming journey of self-discovery for both boys...in Blackpool. The Choudray family represents a truly contemporary example of modern multicultural Britain - but what will the brothers make of their eccentric newfound family? Will they be going to Mecca or Mecca bingo? In contrast to the old fashioned stereotypes about Blackpool, the comedy is sharp, current and non-stop.

The music video for English recording artist M.I.A.'s "Born Free" was directed by Romain Gavras. The video, which depicts a genocide against red haired people, was filmed in California and directed by Romain Gavras as a nine-minute short film without the prior knowledge of M.I.A.'s record labels.

Nemo, an adventurous young clownfish, is unexpectedly taken from his Great Barrier Reef home to a dentist's office aquarium. It's up to his worrisome father Marlin and a friendly but forgetful fish Dory to bring Nemo home -- meeting vegetarian sharks, surfer dude turtles, hypnotic jellyfish, hungry seagulls, and more along the way.

"Gus Arnhein and His Coconut Grove Orchestra" is an agreeable short--and one of the earlier Vitaphone released. While the band is just about totally forgotten today, they had a nice sound and are a nice representative of the era. And, like most Vitaphone films of the day, the camera is mostly stationary and there are no fancy effects--just a straight recording of the act--which included several nice songs.

In the end Ilya won the casting and became a DJ at "Dude Radio", radio for the real men. After the celebration of this event with his friends he wakes up in the morning and realizes that his first live show on radio is in an hour and he is not ready for it at all...

A cluster of adult animated shorts by French satirical cartoonist Georges Wolinski.

Animations from a course at The Animation Center - Tel Aviv Cinematheque, winter.

A Scotland Against Drugs public information film.

A very little man attacks two huge feet and fights with all his power against them until his downfall. While dying, he is still convinced that he is the winner. However, the feet continue running like nothing happened.

Eryk im Sexil

A black-and-white film that takes an ironic look at alienation between the races and the sexes. It is a mix of cell animation, painting, live action and early Atari computer animation.

It’s a beautiful summer day and Sven is finally going to take the plunge. He’s at the public pool, at the foot of the ladder leading up to the ten-metre board. Today he is going to jump. Now! Or perhaps some chips as a start? And it would be good to take a shower first. But then he’ll be ready, though …? Oh no, the queue behind him is waiting, there’s no turning back. Sven climbs up the tower.

Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.

The slow construction of an image, to the rhythm of steps, ends when the monster meets his Bride.

The hands of a puppeteer control the bodies of two dancers who compete with each other.

Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.

In New Year Night

As the sun rises on the horizon, a small finicky man strives, tenaciously and in every possible way, to clean the spots on the magnificent luminous star.