What Does It Mean When My Nemesis Kisses Me?

Max isn't sure about his sexual orientation until he meets Leon at his new school. When Max is singing a song at a school concert something beautiful happens.

Rebordosa

Cheyenne, a journalist, decides to leave Paris after being laid off and to settle down in the middle of nowhere, far from the society she hates. The trouble is that she leaves Sonia, her true love, behind. The latter, a teacher who loves her job, refuses to give up everything - including her comfort - to follow her. Sonia makes all the efforts in the world to forget Cheyenne, whether in the arms of Pierre, a charming anarchist, or in those of Béatrice, a gay woman who soon proves perverse and dangerous, only to realize that her heart belongs to Cheyenne and nobody else.

A feisty young woman returns to Glasgow to run her deceased father's curry house.

Ava deals with complicated feelings about her sexuality and attempts to push them down. After a fight with her best friend, Fiona, she’s forced to face her feelings head-on.

A governess is hired to accompany her Ladyship's modern woman daughter.

The general and the cheeky girl… What are the consequences of becoming too close?

'Guacho' narrates a summer day in the life of two teenage friends, Maikol and Darío, who want to escape their everyday crushing reality, at least for a day. They spend up to the last penny to get to the mountains where, taking refuge in tranquility and mutual love, they manage to get a grasp of happiness. But freedom does not seem to be so available to them.

When the recently divorced Tarik spends time alone in a holiday cottage on the Veluwe, he meets the owner of the house, Jonas. But when they seem to grow towards one-another, it proves difficult for Tarik to not let his true feelings emerge.

Two queer Dominican men living in Bronx, New York, navigate modern-day relationship's trails and tribulations while trying to keep their love afloat.

A film director meet a dancer and they're go around the city all day. He found something in her that he doesn't found in his wife.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

It's 2055 and Steevyshady, an obsessive Mimi Madamour stan, tells us of their idol’s mad destiny from the very peak of her career in 2005, all the way down to the pits of hell, a downfall brought about by her love story with punk icon Billie Kohler. Over the course of half a century we follow these drama queens as they top the charts and set sail on the course of mad queer love.

The boyfriend of a handsome photographer tries to deal with his jealousy after finding nude photos he took of a gorgeous model.

Émilie lives in a world of surveillance: her camgirl work; the camera phone lingering on a crush from afar; the headset affording her a drone’s perspective. The same drone that stalks each move she makes, offering inspiration, noting rivals. An unsolicited companion is conspiring with or against her. A financially strapped transplant now living in the Paris suburbs, Émilie is thrust into a high-powered world when she is chosen for a renovation workshop with a prestigious architect. Her classmates come mostly from “filthy rich” backgrounds, like cocky Olivier, who wants Émilie as his conquest. But Émilie has shy eyes only for self-sufficient Mina, whose music builds like a “helicoid.” A drone—unlike any known model—is watching her all along waiting for her next move and paying handily for the privilege.

A team of workers is sent to planet Gliese 12b to build a gravitational portal. To conserve energy for survival on the frozen planet, each worker is allowed to speak only 113 words per day.

While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.

When aged-care facility workers find two residents in bed together, familial tensions rise.

Nice Coloured Girls is a short film classic by Tracey Moffatt, one of Australia's foremost visual artists. Three Aboriginal women cruise through Kings Cross and pick up a 'captain' (a drunken white man). They encourage him to spend his money on them and to drink until incapacitated while they steal his wallet and race off to catch a cab, self-satisfied. Nice Coloured Girls contrasts the relationship between Aboriginal women and white men in the past and present.