Voicemails For The Unknown Receiver

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

A letter of love to my past self who discovered himself.

Escombro is a collage and found footage film that brings together a series of natural disasters around the world over the last thirty years. The film features disasters caused by climate change and also the exploitation of the earth's natural resources.

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

Daily dedications to a minor artisan of the classical Hollywood western. Each segment was originally a kind of letter, a private correspondence, sent in fragments to a friend over a few weeks—an ode to R.G. but also to B.C. (an ode to cinema, to everyday life, and to the cinephilic fantasy of their becoming indistinguishable).

A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.

Through a collection of home video footage, the filmmaker undergoes a journey of reconciliation and healing, grappling with their identity in the face of the past.

Losing her lover, mother, and hope for tomorrow, Gisele, the daughter of a crime syndicate, is forced to confront its oppressive leader – her father.

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.

The short film captures the memory of an apartment and its surroundings: a young adult man lives his daily life, a journalist interviews a retired novelist who grapples with the idea of the end of the world, and two young boys searching for portals. Three storylines intertwine as the film progresses.

An experimental film documenting a river leading up to a waterfall, depicting both its natural beauty and its inherent danger.

A landscape film about isolation, fear, and the ever-presence of religion in rural Pennsylvania.

Ayush suffers from sleep paralysis and dark hallucinations, haunted by shadowy figures that represent his repressed fears. Trapped between dream and reality, he confronts these manifestations of his inner turmoil.

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A lone wind ensemble musician photographs an ongoing performance as she's suddenly joined by a past lover.