Tautavel : vivre en Europe avant Néandertal

Born underground, on the heels of the Civil Rights Movement and the Stonewall Riots, disco’s nascent popularity saw the spectacular takeover of the dancefloor, the airwaves and burgeoning fashion trends that reflected the joy and freedom inherent to the genre. Co-opted and exploited through references like John Travolta’s strut and shiny Swedish tracksuits, disco eventually reaches the mainstream, losing its original flair and purpose rooted in radical politics and social change.

Heavy Metal Parking Lot documents heavy metal music fans tailgating in the parking lot outside the Capital Centre (since demolished) in Landover, Maryland, on May 31, 1986, before a Judas Priest concert (with opening act Dokken).

Les Trésors des plus beaux Jardins français

The Night Before Upheaval

A behind the scenes documentary that follows the young cast & five year build up to the release of 'Avatar - The Way of Water'. Contains interviews and homemade videos filmed by the actors. A film by Jamie Flatters.

Experts uncover long-lost secrets and discover new evidence in the infamous story of Pompeii offering new stories of what happened in those fateful final hours. (This appears to be a a standalone, truncated, single movie adaptation of the three-part TV Series Pompeii's Final Hours: New Evidence (2018) [tmdbid= 86218].

Des dents blanches... au rire jaune !

A renewed and truthful vision of how Spanish America was born and prospered, an epic story developed over more than three hundred years, that of those who bequeathed to humanity an immense architectural, sculptural, pictorial, literary and musical heritage.

Betty Boop was one of the stars of the early cartoon era. As her name suggests - Boob stands for breasts - Betty Boop's trademark is her sex appeal. But what does the black and white female figure really embody? Is she a child woman, an object of lust, a femme fatale or an early feminist?

On an overcast morning in 1999, William Gibson, father of cyberpunk and author of the cult-classic novel Neuromancer, stepped into a limousine and set off on a road trip around North America. The limo was rigged with digital cameras, a computer, a television, a stereo, and a cell phone. Generated entirely by this four-wheeled media machine, No Maps for These Territories is both an account of Gibson’s life and work and a commentary on the world outside the car windows. Here, the man who coined the word "cyberspace" offers a unique perspective on Western culture at the edge of the new millennium, and in the throes of convulsive, tech-driven change.

Interview with the italian composer Claudio Gizzi about his lifetime and work as part or the extras of the Blu-Ray edition from What? (Che?) (1972) from Roman Polanski

Rather than following a narrative or covering large events, this documentary goes through the entire English alphabet with a different aspect of AKB48 being covered for each letter (eg. S for Shake Hands).

Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.

Far from home, a young Burmese man struggles to escape the weight of a brutal and unforgiving military coup, threatening both his nation’s freedom and its very survival. Now, in Australia and unable to return home, he’s doing everything he can to stay connected to his people.

Every May, around 100 motorcycle road racers from across the world make the pilgrimage to Northern Ireland to take part in one of the sport’s fastest and most dangerous events - the North West 200. Racing on closed public roads at speeds in excess of 200 mph, the riders dice with danger and even death. To outsiders, it looks like a form of madness. To those who do it, it’s like their religion, and the road their church. But with the ever-present risk of life-changing injuries or fatalities, in recent years the future of the sport has hung in the balance. Following three riders in the weeks leading up to the North West 200, this film explores how faith, family and the risk of fatality push a diverse cast of racers to the limit.

A short experimental documentary that interrogates how the modernization of parks and playgrounds in Long Branch (a neighbourhood in South Etobicoke in Toronto, Canada) both reflects and contributes to the overall rise in the cost of living in the area by exploring children's relationships to the community spaces around them. The film includes footage from four local parks and playgrounds, personal archival materials, interviews with five South Etobicoke locals, and an art-based workshop at a local junior middle school.

An immigrant lost in Santiago's subway discovers that the city he inhabits conceals a buried secret: Santiago was founded over a cusco, an administrative center of the Tahuantinsuyo Empire. Through his wandering across the city and the testimony of pre-Columbian history researchers, the film reconstructs the Inca presence in the Mapocho Valley and proposes a decolonial reading of Chilean urban territory.

This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.

Hostages

A film student, who denies being in love with his teacher, wonders what cinema is, what love is, and why we do what we do.