Charlotte Salomon - Ein Tagebuch in Bildern 1917-1943

This short documentary takes us to St. John's Cathedral Boys' School, at Selkirk, Manitoba, one of the most demanding outdoor schools in North America. As the school can’t accommodate every student wishing to enroll, boys of 13 to 15 years old are put through an initiation tougher than they have ever faced. They paddle canoes through some 500 kilometers of wilderness in 2 weeks, portaging and camping all the way, thereby learning vital outdoor lore, cooperation and self-confidence.

Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.

Portrait of the early era of computing which examines the workings of a new and mysterious machine: the Canada Land Inventory Geo-information System. This "instant library" was created to help assess and document the geographical landscape, including sampling and analysis of soil, forestry, timber, wildlife, resources, industrial sites, and many other aspects.

Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.

Chalupkovci v čase

Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic violence she suffered. The images and text interact with remarkable precision to convey the devastating impact of the cataclysm. It's a political gesture, brimming with courage, an icy cry that takes your breath away.

Documentary on the making of Hammer's adaptation of "The Hound of the Baskervilles".

Pontormo and Punks at Santa Croce

Twenty-five films from twenty-five European countries by twenty-five European directors.

14 year-old Janiyah Blackmon wrestles with her new life in New York City as her mom tries to move her family out of the shelter system and into a stable home.

A sort of documentary on the people known to have fallen out of windows in a certain time frame in a certain geographical location. One of Greenaway's early short films.

A film made by Victress Hitchcock and Ava Hamilton in 1989 on the Wind River Reservation for Wyoming Public Television.

The first childbirth for children film ever made which launched a sibling preparation movement across the US.

A documentary about the Friends of the Western Buddhist Order in London.

A compelling look at the choices that lead to incarceration and the reality of being locked up in Pelican Bay State Prison.

Ana and Claudia get trapped in a bathroom during the military occupation of the university. Claudia is caught by a soldier, leaving Ana alone for days in the bathroom, trying to survive and find hope. Based on the experiences of Alcira Soust during the military occupation of Ciudad Universitaria during the movements of 1968.

This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard's "Contempt" and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

Lively holiday in Blackpool, with jazz accompaniment.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.