A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Paseo
Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.
Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.
Manuela is left behind when her husband Justo fights for his ideals against Franco's Nationalists during the Spanish Civil War. He is deported to a concentration camp, and upon his release, continues the fight against nationalism in the French resistance. Years pass without a word from him, but his wife never gives up hope of seeing him again.
Rafael and Fermin are comrades in the republican army during the Spanish Civil War. In the last days of the conflict, Fermin is fed up with the war and thinking about going home, while Rafael writes a letter to his wife which includes a story for their son. This story, inspired by Jack London's 'White Fang', runs in parallel to events in the war and towards a shared outcome.
Robert is a war photographer who moves to an andalusian village after the Spanish Civil War, watching in the population a panorama of sadness and pain. Because of his arrival, stories that happened there in the past resuscitate.
During the Spanish Civil War, a family of farmers must face the fascist threat. Tired of turning the other cheek, they will make an unexpected decision.
1938. During the Spanish Civil War, a soldier is executed along with his comrades. Under the corpses of his friends he discovers that he is not dead.
Javier Navarro, a Falangist, is ordered to infiltrate Republican Madrid to deliver a message to a member of the Fifth Column.
Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.
The intertwined lives of three men in three different eras, three lives intimately linked by sexuality and desire, pain, and legacy.
Javier López Cronwell, journalist, son of an American and a Spaniard, comes to Spain to write a series of anti-communist articles. The boy is politically neutral and emotionally and personally cold. He comes into contact with his paternal grandfather and the friends of his father, who died in our Liberation War, who propose that he take the provisional ensigns as a topic for his article. He prepares his return to North America without waiting to see the 25th anniversary Victory Parade, despite the wishes of his father's friends, old ensigns who will parade to show the world that they are still in the breach.
In the last four days of his life, fear took over the figure of the poet Federico García Lorca.
Guernika, year 1937. The city is savagely bombed from the air by a battalion of fascist troops. During the bombardment, Republican artillery shoots down an Italian plane. The pilot manages to parachute very close to a village inhabited by three women. Badly wounded on the ground, he is going to be finished off by one of them, Ikerne. This one, however, feels disturbed by the man's presence, and in a purely impulsive act she decides to take him to the house's barn. The presence of the man in the house reveals the lethargic desire of the three women. But it will also bring out the small conflicts and contradictions that the harsh survival conditions in the house have generated. The solution finds its way between desire for man and hatred for the enemy.
Based on the life of Marino Ayerra, who was appointed as parson priest of Alsasua (Navarra) two days before the start of the Spanish Civil War.
Love story during the Spanish civil war in a psychiatric hospital.
Ángel Pedrosa (Álex González, Fernando Luján) returns to Bruma (Córdoba), his hometown, from where he had to flee during the Civil War. He returns to reconstruct his family's history, to forgive himself, and to remember others. Ángel stitches together the fragments of his life during Spain in the second half of 1939. His first love, the hatred of the post-war period, the intolerance and the passages he went through until he had to flee, hastily, out of his homeland to not return until many years later.
During the early moments of the Spanish Civil War, in a spanish village, Isidoro lives with his father Lucas and his horse Coco. Isidoro witnesses how his father, torn apart by their debts, wages his frustration upon Coco.
Spain, 1938. A woman is quietly planting seeds in her garden when two armed soldiers appear. Before being detained, she hides some of the seeds in her pocket.