Khoon Bahaa Ganga Mein

Mamta lives a poor lifestyle with her husband, Dinu, and two sons, Mohan, and Sohan. When Ram Lal, the wealthy Zamindar, Kanta Prasad Gupta's Munim, comes to them to take Sohan to Mrs. Sharda Gupta for ten days, they reluctantly permit him to do so. After 10 days, Gupta himself approaches them and begs them to let his wife keep Sohan for life. They tearfully agree. Then Mohan gets into trouble, and Dinu scolds him, only to find out that Mohan has run away from home. A search proves futile, and the couple continue to live a childless life. Now 17 years later, Mamta is seriously ill, and asks Dinu to bring Sohan back. Dinu goes to the Zamindar's house where he meets a young man who identifies himself as the real son, Suraj, and informs him that Sohan has been asked to leave. A devastated Dinu loses his memory and roams listlessly on the streets of Calcutta, unable to remember anything.

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

ACP Yashvardhan teams up RAW Agent KK to bring down the master mind terrorist, Shiv.

Aadharshila portrays the struggles of young people - especially graduates of the Film and Television Institute of India - to find a foothold in the Indian film industry. The film ends with the completion of the film-within-a-film.

Wealthy Shankar and well-educated Suresh are cousins and the best of friends. A marriage is arranged for each of them (Shankar's with Madhumati, Suresh' with Shanta), but Shankar's father is against the couples meeting in person and instead each cousin meets with the other's intended. During the meeting Suresh falls in love with Madhumati and scheme switch brides. But his innocent scheme has unforeseen circumstances as Shankar's marriage quickly turns sour because Shanta despises him for being uneducated and blames him for tricking her into marriage.

Boothnath vows to redeem himself when spirits tease him, and searches for a child to terrify. He befriends Akhrot, a slum kid, and helps him take on the country's most powerful politician.

Purani Jeans is a film based on the belief that friendship is like a pair of old jeans—the more you wear them the better it gets. The summer now unfolds more dramatically as the boys make detrimental choices—of love, sex, friendship, jealousy, heartbreaks & betrayal, finally leading to broken bonds of friendship. The film travels with Siddharth as he explores equations with his past—to rebuild friendships with his four friends whom he grew up with in a small town in Himachal Pradesh in India. When Siddharth lands in India from the US, ghosts from his youth loom up. He finally overcomes the complications and sets right all the wrongs done in his past & rediscovers bonds of friendship.I n the end Siddharth goes back to New York a better man; reconciled with his past & most importantly rediscovering a happier today. He returns to New York with the belief that friendship is indeed like Purani Jeans, the older the better!!

Reshma and Shera love each other in spite of the feud that exists between their families. Chhotu, Shera's brother, kills Reshma's family. When Shera gets the news, he plans to kill Chhotu.

Based on Bengali story “Ghar Bari” by Dibyendu Palit, a former revolutionary who has deserted the movement lives in fear of running into old colleagues. Meanwhile he pushes his wife into modelling, and later seamier projects, with tragic consequences.

Set in present-day Lucknow, Gulabo Sitabo is a social satire about two impossibly peculiar human beings, Mirza Chunnan Nawab, who stays in a dilapidated mansion and one of the tenants, Bankey Rastogi.

To earn extra cash, Mickey helps couples break up — but life gets complicated when he falls for Tinni, a career woman with an independent streak.

Srikant's life turns upside down when he bumps into a middle-aged ghost who claims to be his grandson from his previous birth. Things take an even more comical turn when the ghost seeks Srikant's help to meet his long-lost love.

The film, which won the 1988 National Film Award for Best First Film of a Director for its "excellent exploration of complex philosophical theme for the first time in Indian cinema," is set in the Buddhist town of Sariput in the desert of Central Asia in the 1st century B.C. The town is struck by a devastating sand storm that leaves behind only four survivors: two monks and two children taking refuge in the monastery. Twenty years later, the monks have become old, while the boy and the girl have grown and fallen in love. The jealous monk deceitfully persuades the boy into becoming a monk, yet the girl wins him back, as a result both are expelled from the monastery, and that is when the sandstorm strikes once again..

Damul (Bonded Until Death) highlights the ill effects of the Bonded Labour System while narrating the story of a bonded labor who is left with no choice but to steal by his landlord.

A young man in Delhi tries to break free from his controlling brothers.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.

After decades of working in the printing industry in Kolkata in eastern India, Tarini has reached retirement age. He spends his days at home, having declined his son’s invitation to come to the United States. Then a friend shows him a help-wanted ad. Although he has never published a book, Tarini used to tell made-up stories to his friends in his youth, and the ad for a storyteller in Ahmedabad in western India piques his interest.

A boy and girl from opposing families meet and fall in love, determined not to let the hate between their parents stand in the way of their happiness.

A period drama, the film is based on Ismat Chugtai's most celebrated story "Lihaaf" (published 1942). The film inter weaves the plot of same sex relationship between Begum and her masseuse and the trial that Ismat underwent after being slapped with a case of obscenity on publishing the story. The film raises themes of homosexuality and freedom of speech that our society is grappling with even today.