Documentary about the making of ’Spring Break Zombie Massacre.’
In India, in the region of Gujarat, a man whose face is never shown travels through the large city of Vadodara by night and distributes a mysterious illustrated newspaper. It provokes an irresistable desire in all the street merchants and craftsmen to tell stories of ghosts and ghouls.
Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.
Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.
Dreams and Nightmares journeys into the human subconscious. Peering under the brain's mysterious veil, the idea that dreams send clues and warnings from another dimension is examined in detail.
Christopher Kerr is a hospice doctor. All of his patients die. Yet he has cared for thousands of patients who, in the face of death, speak of love and grace. Beyond the physical realities of dying are unseen processes that are remarkably life-affirming. These include dreams that are unlike any regular dream. Described as "more real than real," these end-of-life experiences resurrect past relationships, meaningful events and themes of love and forgiveness; they restore life's meaning and mark the transition from distress to comfort and acceptance.
A close-up portrait of the daily lives of a pair of cows: told by way of some narrative-free, intimate POV photography, with plenty of close shot images, we follow the daily routine of these animals as they live what can only be described as mundane, boring lives - all with an ultimate purpose within the human food chain.
Based on her own experience, which she extends through the testimonies of other infertile people, director Élodie Lélu shows how Medically Assisted Procreation modifies the relationship to the body and to the imaginary.
A documentary shot by filmmakers all over the world that serves as a time capsule to show future generations what it was like to be alive on the 24th of July, 2010.
A young accountant finally pursues her dreams of becoming a painter.
From space, 400 kilometers above our heads, one man has won the hearts of the French: Thomas Pesquet. Traveling to the stars is an almost impossible dream, but for Thomas Pesquet it is a reality that he recounts in detail in an exclusive interview. You will discover the magic of living in space, the wonder of our planet, but also the reality of everyday life in zero gravity: how they sleep, how they wash, what happens to their bodies. Why do they have to exercise for two hours a day? How do they communicate with their families? With Thomas Pesquet and the help of specialists, scientists, doctors, instructors, directors, and computer-generated images, you will discover what goes on behind the scenes of a mission and understand how the International Space Station works.
Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South - trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.
After twelve years in exile, Syrian journalist and filmmaker Daham Alasaad returns to Homs, devastated by the war in Syria. Once the city of his childhood, it is now a relic of an authoritarian regime, where different communities (Sunnis, Christians, Alawites) are trying to rebuild their lives together after terrible years of division and destruction. Thanks to Daham Alasaad's close relationship with the city's inhabitants, the director highlights some very moving characters, torn between grief, fear, the need for justice, and the desire for peace and reconciliation. By opening up naturally to the camera, they allow viewers to experience what Syrians of all backgrounds are going through today. "Homs-Syria, Life After" is a personal and political investigation into the ability of this symbolic city to rebuild hope on the ruins of a Syria ravaged by more than fifteen years of war and facing an uncertain future.
The film traces the career of some of the winners of this new generation nicknamed the "K-Classics Generation", including the 2 recent winners of the Queen Elisabeth Competition, the soprano Hwang Sumi and the violinist Lim Jiyoung. In Korea, where it all began, and in Germany where most of them have settled.
Little kids, big dreams and smashingly good music – Dixieland follows the amazing progress of four members of a Ukrainian children’s brass band from Kherson. Through steady practice under the wildest of conditions, Roman (12, trumpet), Polina (10, trombone, drums and many other instruments), Nikita (12, drums) and Nikita (14, piano) produce magical music with ancient, wobbly instruments. Not least due to their wit and good humor, they persevere together, helped along by their 80+-year-old conductor and a young teacher. These children of the post-Soviet provinces use American tunes to achieve their dream – to become someone in the world and make something of their lives, no matter how dire the circumstances. From the authors of an awards winning documentary film Ukrainian Sheriffs.
Svitlana, a Russian-speaking Ukrainian, examines the colonised part of her consciousness and tries to find answers to the question of how Soviet totalitarianism and Russification influenced the relationships within her family.
An elegy about ‘José Ð Almeida’s life and work. Along an intimate metamorphosis, this dreamlike and visually expressive world created by the visionary and insane dreamer is recreated and performed between a symbiosis of moving image, photography and painting- in a scenic, dramatic, symbolic and mystical tone.
SOME COLORS
German director Wim Wenders tries to explore the Tokyo that was depicted in the films of Yasujiro Ozu and finds a very different city.
A journey through Ukraine that reveals the banality of evil behind the Russian invasion with the shocking juxtaposition of two realities: the Ukrainians who have been suffering and resisting the war violence, and the Russian military, and civilians, who have been perpetrating it.