Nick and Charlie are inseparable, but with Nick preparing to leave for university and Charlie finding new independence at school, the reality of a long-distance relationship begins to weigh on them. Doubts take hold, and their relationship faces its biggest challenge yet. Meanwhile, their friends are also navigating the ups and downs of love and friendship, confronting the bittersweet challenges of growing up and moving on.
Although suspected and hunted down by policeman Sherlock Coco and inspector Hector, the Pieds Nickelés (Croquignol, Filochard and Ribouldingue) manage to save the legacy of Monsieur Miradoux, who will be very grateful to them.
In a world where books and cars share a sales floor, a misanthropic and immortal bookselling demon is forced to team up with a young, enthusiastic human assistant to save his bookstore.
Musical by the Takarazuka Revue. In modern day France, an exhibition is being held at the Palace of Versailles of the "Necklace of Marie Antoinette". The necklace had been used in a fraud case that marked a chapter in French history and later went missing. It has been reproduced using real diamonds. Fujiko has sneaked into Versailles, as has the gang of Lupin, Goemon, and Jigen - all with the intention of getting their hands on the necklace, which is valued at over 3 billion yen in today's money. But they bump into Inspector Zenigata. Lupin is the one who manages to foil Zenigata and grab the necklace. Yet the instant he lays hands on it, everyone is enveloped in a mysterious light. When they regain consciousness, they notice they have gone through a time slip to 1785, before the French Revolution when Louis XVI and Marie Antoinette were around.
Raymond and Robert Bidochon lead a dismal life in a suburban HLM. The change, so hoped for by Raymonde, could come from a reality show, Grand Bonheur, in which they participate.
The historical saga of American superheroes. Born in the period between the Great Depression and the World War II to combat the hobgoblins of the modern world, these mutant human beings with superhuman powers colonized the funny papers, radio dramas, television and films, to become a truly national industry in the United States: they gave expression to the fears and obsessions of the twentieth century and bolstered American ideals.
Short cartoon based on the comic strip by Johnny Hart and Brant Parker.
Entrepreneur Silly Wong returns from overseas having made a fortune there. His godson Tsim Tsui-mau and wife Ho Bit-siu, and friend George Cheung use every trick in the book, even hiring the alluring singer Lin Yung-so, to entertain and curry favour with the loaded returnee. Unfortunately Wong's saving, totalling 10 million dollars, is only due to arrive in two weeks. Penniless, he remains evasive over financial matters. Tsim thinks that Wong is a swindler and leaves in a fit of anger. Lin gives him a hand in his moment of need, and love blossoms between them. Mau and others believe that Lin must have gathered evidence of Wong's wealth and thus forcibly take him home. Realising Tsim's snobbishness, Wong admits to a fuming Tsim that he a broke man. Finally the money arrives. Wong cherishes Lin's love and marries her, but shows the door to the remorseful Tsim and friends.
A disgruntled teenager, sent to do community service at a rundown Karate school, enters an MMA tournament to face the man who killed his parents.
A young priest named mark is sent as a vicar to a native American village in B.C. Canada, there he learns of faith and humanity, as he watches their culture being torn to shreds.
In this sequel to Nagabonar (1986), the now old Nagabonar was asked to live with Bonaga, his foreign educated son, for a while in Jakarta. This was an effort by Bonaga to ask Nagabonar's permission to turn the family palm plantation into a resort. This outraged Nagabonar since the family cemetery was in the plantation. Distraught, he left his son's house and got himself lost in Jakarta.
321 días en Míchigan
This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
Postwar Tokyo. Pin and Toku live in the squatter area of Kappanuma. Pin and Toku are avid gamblers. They take in Tsuru, a slightly demented woman who has run away from a geisha house.
In this multiverse comedy about Alzheimer's, Nellie travels through alternate dimensions in search of her husband.
A mild mannered guy is kidnapped and is forced to figure out if his girlfriend put him in this situation in this drama/comedy/romance film.
After his successful first "case", Allmen decides to make finding lost art objects his profession and thus avoid financial misery in the future.
As a divorced father of two teenage daughters, with a head-strong ex-wife for a best friend, too many peculiar patients to keep up with and a new dog, psychotherapist Max certainly doesn't need another challenge. But when Sophie, a compulsive gambler with a boyfriend problem, regularly shows up late for her appointments, she rocks his world in ways he's not ready for.
The door has been closed for many weeks. A teenager has locked himself in - shutting out a helpless father, mother and sister. In Japan, youths like him have already been given a name: Hikikomori (the secluded). The phenomenon is also beginning to spread throughout the Western world. This is all the family has been able to find out. All they can do is stand in front of the locked door and ask, beg, implore, throw tantrums, despair, accuse, ignore and hope. All the while, the door increasingly becomes a mirror of their own lives.