White Rose Campus

Michael (Jeff Bridges) drops out of college with the intention of finding himself. When his parents (Carl Betz and Vera Miles) balk, he talks them into joining him in traveling the country and educating themselves about the state of things. They, along with Grandma (Ruth McDevitt) trick out an old Greyhound bus and hit the road. The picaresque plotline brings the family into contact with a variety of colorful characters. The producers of In Search of America never declared outright that the made-for-TV film was intended as a series pilot, but it ends on an ambiguous note with plenty of loose plot ends. In Search of America was first telecast March 23, 1971.

A woman is sexually assaulted by a serial rapist wearing a hockey mask. She and other victims form a squad that targets would-be rapists, all the while searching for the mask wearing maniac that raped them all.

Jae-young is a high school student who is often bullied by the school’s mob leader, Yong-gyu. When Yong-gyu is hospitalized, Hoon wants to take his place at the top of the school. Jae-young hoped doing away with Yong-gyu would help him escape the tedious violence, but he finds himself tormented and harassed even more under the persistent Hoon.

Hyoto is a Japanese karate champion. His own career, the dojo he ran, and his students were doing well, and he was at the peak of his abilities. Hyodo's only complaint was his relationship with his wife, which had become completely cold. One day, Hyoto drunkenly bursts into a store, falls in love with the beauty of the woman there. He takes her to a hotel, discovering that she is trans. Hyōto fled the scene in a panic, but after that day, his sexual preference, which had only been interested in women, began to crumble. His student Haruhiko notices this change in Hyōto and confesses that he actually loves his teacher. He would have scoffed at the previous Hyoto, but the current Hyoto was different. He accepted Haruhiko's love, and he actively stepped into a new world of sexual pleasure...

Widower Sultan Singh lives a poor lifestyle in a village in central India along with his son, Karma and daughter, Devi. The region of about 50 villages is being terrorized by a bandit named Ranga and there are only 50 Policemen, who are unable to apprehend him. After Sultan's death Karma decides to teach the villagers to defend themselves but is typecast as a rebel, arrested by the Police, and held in a cell. Ranga abducts a young lad, names him Ranga, and trains him to be a bandit. After Ranga passes away, the younger Ranga, mesmerized by the evil Ginnibai, takes over. Ranga abducts Devi, forces her to marry him to sire children who he will train to become Rangas of the future, as well as look after several abducted young children who he also plans to train and turn them also into future Rangas - and there is no mortal on Earth who can stop him.

A married ad designer (Meguro) is having an affair with a married woman (Ming). When an ad agency head visits Meguro, it's revealed that he's Ming's husband (Shanwei). Shanwei warns Meguro to not only continue the affair but also record (for Shanwei) and "mentor" Ming in a series of escalating sexual domination/humiliation rituals. If Meguro refuses, Shanwei will disclose the affair to everyone, including Meguro's wife.

Several people are interviewed about the twisted story of a man who only gets an erection from shaving female pubic hair. Distributed by Xces / Nikkatsu.

Men are rotten. Women wander. Lost souls reconnect.

Three intertwined stories about Serbian truck driver who is involved into drug trafficking without knowing, Czech family who live by the road which makes them a lot of troubles since many cars crash into their house, and a bus full of Swedish grannies who go on a Trans-European package holiday.

Shortly after Elle Wieck moves to a small French village, she begins dating Pin-Pon, a quiet young mechanic who has grown obsessed with the beautiful newcomer. But Elle has her own reason for the relationship...

The second film in the series of a brother and sister and their messy relationship with each other and old lovers. This time, will they or won’t they?

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

Cult filmmaker Hisayasu Sato's second comedy of the year, this silly softcore effort stars pretty Nao Kikuchi as a young married woman who takes a job at a call-girl agency with the mistaken belief that it is a maid service. After she is raped on her first assignment, Kikuchi is understandably shocked, but quickly warms to her new career and becomes quite the professional. Unfortunately, her husband soon discovers the true nature of her work.

An embittered young man who draws no physical pleasure from sex starts a club for his friends, luring young women into violent rape and torture by charming them over the Internet. Eventually the angry sister of one of the girls takes revenge.

Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.

As seniors in high school, Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the Wildcats, they stage a spring musical to address their experiences, hopes and fears about their future.

Devout Christians Töre and Märeta send their only daughter, the virginal Karin, and their foster daughter, the unrepentant Ingeri, to deliver candles to a distant church. On their way through the woods, the girls encounter a group of savage goat herders who brutally rape and murder Karin as Ingeri remains hidden. When the killers unwittingly seek refuge in the farmhouse of Töre and Märeta, Töre plots a fitting revenge.

The film depicts the daughter of a concubine of a political and business mastermind who is involved in a corruption scandal, and a woman who controls a prostitution ring.

A virgin, a married woman, a career woman, and the progress is made by combining the abnormal sex of each of them. This is Rumi Tama's first work in 1983, which can be called the Japanese version of the Decameron, and is a female writer who has made a point of creating enjoyable pornographic entertainment without logic.

Eight years after the devastating tsunami, the wounds it left in Japan have still not healed. In her touching search for answers, Haru sets out on a long, eventful journey to her home town, where she lost her family in the flood.