Where's The Colonel

A young detective unravels the mystery surrounding his best friend's death as he falls into a web of intrigue, adultery, and jazz.

A bowling alley employee of the month struggles with the romance in his life.

Noctívagos

A Noir Detective investigates why his flatmate leaves the kitchen so damn dirty!

When private detective Arthur Malloy is hired to find Carmen Chandler’s missing husband, a routine missing persons case quickly spirals into a tale of booze, blood, and betrayal.

Detective Sam Phelps and his partner Henry Vincennes try to solve a case of mysterious murders.

Set in 19th-century New York, this mystery begins when a Frenchwoman shows up at the home of one of Napoleon's former marshals. The alcoholic man is badly crippled and slowly dying, but this doesn't stop the forthright lady from pushing him to change his will to include his estranged grandson so that he can help out the struggling French Republic. Unfortunately, the dying man's conniving housekeeper and butler, already planning murder to get the money themselves, overhear her and begin plotting her demise.

1230 Hopewell Road centers around two investigate journalist who set out to make a documentary of a local urban legend and a troubled boyfriend at the deadly center of it all. Rob Gabe is the director of films such as RETURN HAUNED (2021) & MARA'S LABYRINTH (2021) as well as art videos like VIXEN. Director Statement: 1230 HOPEWELL ROAD is very much inspired by kink/fetish industrial subcultures, film such as Shinya Tsukamoto’s Tetsuo The Iron Man (1988), analogue aesthetics, and Urban Legends I grew up with as a teenager in Chester County, Pennsylvania. It’s pretty edgelord-y and tampers with dork sided subjects so don’t watch it with Mama-San in the room.

Broadway gossip columnist Gilbert Archer investigates his friend's murder, finds clues linking it to a valuable Da Vinci painting, putting himself and Patricia Foster in danger from those after the artwork

Vinhedo das Mentiras

A renowned detective stumbles upon a striking and peculiar evidence on what seems to be his most challenging case yet.

When a student affairs officer investigates a reclusive art professor at Arkham University, he uncovers a horrific secret that blurs the lines between artistic genius and madness.

A black and white noir about a detective recalling his involvement with a case about a mysterious woman on the loose after killing a man in cold blood.

A popular singer, Marian Washburn, suddenly and unexplainably loses her voice, causing a shake-up at the club where she works. Her worried but loyal piano player, Luke Jordan, helps to promote a new, younger singer, Susan Caldwell, to temporarily replace Marian. Susan finds some early acclaim but decides to leave the club after a few performances. Soon after Susan quits, she is gunned down, and Marian quickly becomes a suspect.

The Comic Strip team return for a special 50s-style 'fugitive' film noir spoof. The 60-minute film, penned by Peter Richardson and Pete Richens, follows Prime Minister Tony Blair (Stephen Mangan), wanted for murder and on the run. Escaping from Number 10 and leaving behind his adoring wife Cherie (Catherine Shepherd), Tony vows to clear his name no matter what the consequences.

Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifetyle of his landlord, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy.

A woman wakes up in the middle of the night on board a train, but she can't remember how she got there. Danger and suspense ensue.

A detective talks tries to get to the bottom of a murder, but someone has their own plan to derail the investigation.

Wild story of detectives.

In the late 1940s, a weary assassin known as the Nighthawk sits alone in a late-night diner, awaiting his inevitable end. Three distinct figures from his criminal world converge on him, each with their own agendas. Caught between their compelling offers and threats, the Nighthawk must decide how - and whether - he wants to face his fate. But in this city, the Establishment always collects its debts.