Hitodzuma otoko (men)-tsukuri hiwaina ajiwai

Shufu baishun: Otoko-suki no onna

Sixteen Years Old: Nymphets' Room

Ekimae fudôsan: Bijo mo assenshimasu

A deranged doctor lives in an abandoned hospital together with his wheelchair-bound daughter. Frustrated by normal women's perceived imperfections, the doctor kidnaps them and subjects them to sadistic tortures to turn them into subservient women for his childlike daughter to play with.

A high-school girl with paranormal abilities becomes the center of a bizarre cult which believes her to be a divine idol. In fact, she's a maniac, prowling the streets with a male slave to rape and murder innocent victims.

Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.

The plot deals with an alienated high-school girl who is rescued from a suicide attempt by a male student who can only achieve orgasm by pleasuring himself with women's underwear. Intrigued, the depressed young woman taunts him into raping her various female enemies by sending him secret e-mails.

A standard pinku-eiga entry from prolific cult director Hisayasu Sato, this softcore melodrama centers on a successful female magazine editor with a handsome fiancé. The good-looking, successful couple seems to be the picture of happiness, until the young woman meets a kinky dentist who helps her to discover the pleasures of pain.

One of legendary "pink" director Hisayasu Sato's first of over 50 examinations of love and sex among the dregs of society, this downbeat picture deals with a sleazy rapist (Taketoshi Watari) who starts a doomed romance with a sullen teenage reject.

This film explores the lives of several disenfranchised urban residents, including a woman whose sole companionship comes from her erotic attachment to a mannequin, a man hired to rape women, and other assorted victims of urban alienation.

A bored and frustrated wife meets an old lover who knows how to satisfy her pent-up passions. Unfortunately she finds out that he runs a call girl business.

Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.

Jûsandan konyakujime

Although the two sisters are flesh and blood, they are women after all. This is a film that depicts the woman's conflict between love and sexuality with a flame of unfathomable tenacity, and depicts the ferocity of her human instincts as a sensitive image.

Kimiko, who came from the countryside, gets a job at a travel agency, but the manager she is introduced to is Yu, who was the person who molested her on the train. Feeling somewhat responsible, Yu teaches her the job and also gently guides her to become a more urban woman. Kimiko begins to have feelings for him, but is shocked to find out that Yu secretly loves Eri, the secretary to a client's president. Then, due to a certain incident, Kimiko ends up going to a hotel with that client's president, Chikamatsu...

Chikan Densha Ano te Kono te

A woman rejects her clingy female lover and pursues a female co-worker. The spurned lover plots revenge and the co-worker has a kinky secret.

A taxi driver kidnaps a fare and imprisons her in his apartment.

Yakumaru is researching an aphrodisiac to cure his impotence. He happens to meet Mitsuko, who also has an impotent husband, and Yakumaru gives Mitsuko the medicine he is researching. The next day, the two meet again to hear the results, but Mitsuko seems strange. Mitsuko, who was frustrated that her husband did not cooperate and did not take her medicine, ended up taking the medicine herself.

Sawako enjoys taking photos of older men and making scrapbooks with them. Although the men she has dated have always been older than her, she has been unable to speak well with her father and they have grown apart.