Clay Expectations

Based on the Oz books by L. Frank Baum, the Tin Woodman wanders into an old cabin and rediscover's his own past.

A disturbing look at the consequences of guilt, paranoia, and sexual vice. Wolves at the Table reveals the grotesque truth about Katerina Bogatova. Trapped inside of a macabre existence, punctuated by violent, chilling encounters. Katerina isolates herself from the world, and confines the one man that could unravel the respectability of her aristocratic facade.

About the protection of nature, about the inhabitants of protected swamps.

Pioneer of silhouette animation, Lotte Reiniger, uses this technique in a retelling of the Greek legend in which the sculptor, Pygmalion, brings a statue to life.

House of Monsters is a stop-motion animated short film featuring the adventures of everyone's favorite classic monsters. Best described as 'Rankin/Bass meets Looney Tunes', House of Monsters features a return to old-school filmmaking and hand-made artistry. Being 5,000 years old can leave you a little dry and itchy. Seeking relief with a little moisturizer goes too far and in an effort to regain the vitality of his youth and the love of a very special lady, the mummy sacrifices the only thing holding him together.

A young man and his elderly father are terrorised by a mysterious black dog in Connemara in 1910.

This special has the band hiring a slick-talking new manager in an attempt to make a comeback. Under his guidance, the Raisins try their hand at various new musical genres, including Disco Polka, Country Rap, and Demolition Rock, to humorous effect. The group's troubles begin to manifest, however, upon the replacement of singer A.C. with their manager's young protégé

The story of Alice in Wonderland, explored in the stop-motion world of the Quay brothers.

A cold dinner is a dish with bad news. Today it will be more disgusting and destructive than yesterday; and tomorrow will not come at all.

A short behind the scenes documentary showing the creation of the short claymation film The Genie in a Ravioli Can (Le génie de la boîte de raviolis).

A female puppet appears locked in a room, lying on the floor and immobile. Through various experiences, strings begin to attach to her body, and her movements gradually become more fluid. Each string is associated with a scene related to an aspect of women's social issues, such as the body, equality, or gender.

Characters morph into objects and each other in this stop motion animation made with sand.

"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.

In a fantastical world where dinosaurs roam alongside humans, a grizzled retired knight is pulled back into action to help a young woman in distress, only to uncover a threat to the entire kingdom. Hunted by the vengeful Shrouded Knight and his monstrous creations, the aging warrior must risk everything to deliver the one thing that can save them all—a baby.

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

To carry on his important work the ego-maniacal scientist Dr Kelly must obtain another hand… a hand which begins to take on a life of its own.

"Travelling Through Brush and Ink" is a stop-motion animation of a little modern man traveling through four significant ancient Chinese paintings, transforming himself into animals and plants, and becomes part of the nature. Each painting represents four important stages of landscape art in Chinese history. Based on the original paintings, we built the sets and animated little character inside- all frame by frame. The animation is the opening film of 2016 annual exhibition National Palace Museum Taiwan.

"The Observer's Testimony" is an intense psychological video art piece fundamentally based on Slavoj Žižek's philosophical concept of Parallax. The work utilizes a split-screen format to simultaneously present the transformation of the same clay bust into two contradictory psychological realities: The Left Screen depicts the Hunter's (The Accuser's) hardening into a cold judgment and moral decay, conceptually justified by Murat Kaplan's facial analysis; while the Right Screen reflects the Victim's (The Innocent's) dissolution into helplessness, fear, and ultimate surrender. This organic yet unnatural transformation of the busts places the viewer in the irreducible gap between two contradictory testimonies. The core goal of the work is to demonstrate the impossibility of objective truth by proving that reality is entirely dependent on the observer's subjective point of view.

A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.

After hearing someone's "meow" for the first time in his life, baby puppy goes in search of the unknown beast and meets various inhabitants of the house and yard. On children's curiosity and the first acquaintance with the world.