Rough Cut

New York's floral district, like Amsterdam's is a scene that is most vibrant at the crack of dawn when flowers are shipped in to wholesalers. Very convenient timing if you've spent all night at the disco! If you want it fresh, you have to be there early. Not only are the better florists there to get the freshest flowers, but also the latest, freshest, and hottest dish. The scenario of this video is inspired by the central core of the design world: innuendo, rumors and gossip. Hearsay based on the cruising practices of one of New York's top gay floral designers. A vignette in a pastoral country setting–full of sunflowers and wild flowers–shows what the honey bee is really attracted to. Two lusty youths get it on atop a bed of exotic varieties.

The model’s feet are uncomfortably squeezed into the heels, and her movements are slippery on slick silver liquid, before she slowly and ominously destroys the glass pane separating the subject from the viewer.

Woman chasing projected images of typical screensavers such as idyllic meadows and mountainscapes. These images are embellished by design programs to be more attractive to appeal to our primal desire to be outside rather than in front of a computer or in ugly urban landscapes. Even if she were to ever catch up her object of desire, she will find it never existed in the first place, and she has been chasing the unattainable.

ONE NIGHT IN HELL

The surreal, experimental story of an unseen serial killer.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

Údolie večných karaván

A washed up actor performs night after night in a grimy theater to a nearly empty audience. However, everything changes when a clueless dog jumps on stage.

The Third Rule

The prototype [TEST TYPE • 154] is a highly sophisticated artificial intelligence, which is capable of autonomously acquiring notions from its surroundings and - eventually - developing autonomy of thought. Given the nearly human nature of its learning capabilities, the laboratory that programmed it hires a kindergarten teacher, asking him to instruct the machine as if it were a newborn child. The learning process - which spans 7 days - becomes increasingly insidious in the long run, posing a peculiar yet crucial problem: can there be a form of autonomous thinking that excludes emotions?

At dusk, an observer captures an absurd phenomenon.

While trying to use a random video processing app I programed for a series of shorts based on old basque footage, the program got buggy and produced very glitchy and broken images. I thought this preliminar test (atariko proba) gone wrong deserved to be a short on its own, so here it is. This has been made from footage of these movies, several of them digitized and shared by Euskadiko Filmategia: Biarritz : la plage et la mer (Félix Mesguich, 1899) , Irun (1912), Eusko-ikusgaiak (Manuel Intxausti, 1923), El día de Guipúzcoa (Agustín Macasoli, 1924), Los apuros de Octavio (Hermanos Azcona, 1926), Fiestas de Plencia (Leon Armando Zalvidea, 1927), San Fermín (1928), El mayorazgo de Basterretxe (Hermanos Azcona, 1929). Song is: Camille Saint-Saëns' Violin Concerto no. 3 in B minor, Op. 61 as preserved by European Archive for musopen.org

A pack of strays – seven dogs and one woman live in the shadows of Moscow. Hidden from the totalitarian authorities, two species share their existence on the verge of disappearance. They are straying in constant restlessness through a savage landscape where the city is cracking. Shot from the animal’s point of view, patterns of mutual dependence and taming begin to blur.

A psychedelic essay on Goya's paintings, image and sound. The stippled ceiling acts as noise in the images.

An individual finds that the world that intrudes upon his personal life cannot be escaped, and he turns to the next generation.

The parents of an adult infant named "Child", played by Todd Haynes, attempt to expel him from their home, by casting magical spell seen in a television documentary about Malaysian rites of passage.

In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film stock.

Essentieel (1964) is a short experimental film made by Belgian abstract painter Jef Verheyen in collaboration with poet Paul De Vree. A cinematic equivalent of Verheyen’s attempts in representing the warmth and vibrations of light in his monochrome or ‘essentialist’ paintings of the late 1950s and 1960s, the film plays on the tensions between abstract color surfaces and natural elements.

To the sound of a heartbeat and made entirely without the use of a camera, this film projects abstract forms and illuminations on a night-black background and suggests as Tambellini says, “seed black, seed black, sperm black, sperm black.”

Cormac McCarthy has spent the last 25 years writing his novels at the mountain top retreat of the Santa Fe Institute (SFI) in New Mexico. An institute dedicated to the formal analysis of complex systems. In this documentary filmed at the library at SFI (and in the desert), Cormac in conversation with his colleague David Krakauer, reflects on isolation, mathematics, character, and the nature of the unconscious