Rough Cut

La fin

Despierta

Through the opposition of two temporalities, Succession questions the parallel yet divergent evolution of humans and plants. The film explores the confrontation between two living beings, one gradually taking over the other.

An experimental avant-garde film where the character battles with herself, struggling to understand and embrace her true identity. Blending dream-like and reality sequences together, the film connotes inside the character’s mind. Escaping to different parts of her subconscious, she is met with confrontation, fear & desire. This piece of work highlights themes of identity, surrealism & subjectivity, where the instability of the self is at the forefront of the film. The film uses elements of mixed media montage to portray the character’s inner thoughts.

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

A funny reflection in a mirror has a funny consequence.

A father must face his dark past when his gifted daughter has visions of a young girl reborn from her deceased mother. This award-winning metaphysical thriller combines elements of art house, avant-garde, surrealism, and experimental horror.

"Light from the Mesa" from Barn Owl's album Ancestral Star.

Abstract video art set to the music of Philip Glass.

An NTSC space opera.

A first-year film student is invited to document an eccentric audio engineer's historic discovery but finds himself more enraptured by the idiosyncratic inventor than the discovery.

Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

We were slightly feverish when we started working with a particular color process. At the development, we had obtained wonderful tones of blue and yellow as well as colored solarizations. Thus, this process was used for 15 days then the fever subsided. At that time they listened to the music of Gilbert and Lewis, and that is why they put a piece on the soundtrack.

A day in the life of a group of stray cats, who live in a wealthy neighborhood

Ozymandias recites Percy Bysshe Shelley's poem of the same name. Selected AI-generated images and text-to-speech narration - with their vutlure-like generative methods, and already rapidly-dating aesthetics - are placed in parallel to the poem's explorations of legacy, decay, futility, and the future.

Sarah and her two cats go about their separate lives. The cats have strange dreams about their desires, and Sarah develops an unshakable paranoia that something is wrong with them. Sarah's paranoia bleeds into her social life, and her two cats have their dreams come true.

A semi-found-footage artistic film exploring shifting self-perceptions and the horror of liminality.

Maxed out, burnt out, and sex-starved, Amber Su falls under the spell of glamorous self-help guru Coco Ging, whose mentorship turns desire and ambition into different kinds of debt. Repression evolves into possession as Amber molts into a new ego: a worksona.

Hacking a claw machine inside C4D.