Taxi! Taxi!

Germany in the Thirties. A movie teller realizes that his profession is not longer needed. Silent movies are not produced any longer. Telling stories is the only thing the man was ever good in, so he does not know what to do now. As political circumstances are changing dramatically these days in Germany, he gets new hope that things will again be going better for him...

Saxophone player Clyde meets a woman named Flowers, and teaches her to dance. He later discovers that gangster boss "Blackjack" is also in love with her. "Blackjack" is also battling gang boss Mike Luego in a violent turf war.

Le Silence des Étoiles

SAL OF SINGAPORE was nominated for an Oscar for achievement in Writing during the second year of the Academy Awards. The film, being a part-talkie, nearly disappared from view. However, a preservation print does exist at UCLA, although it is unavailable for public viewing, awaiting restoration.

A barber turns down a promising business venture in order to take his sick son to a drier climate out west.

A lost Japanese animated film noted for being one of the earliest to feature voice acting. The story is about a working family man who has an affair with a coworker. She finds out about the affair through him talking in his sleep.

Vitaphone production reels #2471-2478; third Warner Bros. feature film - the first being The Jazz Singer and the second Tenderloin - to include talking sequences, along with the by now usual Vitaphone musical score and sound effects. A copy of this film survives at the Library of Congress in Washington, D.C., but the sound disks are lost.

Paramount's first all-talking picture, Interference was dismally directed by Roy Pomeroy, whose lofty status as the studio's "technical wizard" did not necessarily qualify him to be a director. Evelyn Brent heads the cast as scheming Deborah Kane, who sets out to blackmail Faith Marley (Doris Kenyon), the above-reproach wife of Sir John Marlay.

On the hunt to find the pieces of a medallion that can end the demonic control over Earth, Taryn is forced to go through time to save the future.

El fiestón

Eifel landlady Toni Janssen and her mother Heidi are once again running the Kupferkanne as a team of two. While Heidi's guesthouse is running at full speed, Toni wants to shift down a few gears at her newly renovated country inn. The new name "Kupferkännchen" is intended to stand for a less ambitious concept: home-style cooking for pub guests. However, their new chef Sebastian Holtmann brings the highest culinary standards with him. Not only does he have a lot up his sleeve, but he is also extremely self-confident. Toni is amazed that Sebastian would like to reopen under his own name.

Eifel landlady Toni Janssen has the blues. The unexpected single life is just as depressing as the decline of the "Kupferkanne" without the cooking skills of her "ex". The otherwise tough restaurant owner would prefer to crawl under the comforter all day! But giving up is out of the question for her mother Heidi. The fact that the Janssen women have been making it on their own for generations is their motto in life anyway. The best example: Heidi's newly opened guesthouse, which is often fully booked! It's not just business success that has a rejuvenating effect on the optimistic woman in her mid-fifties. Ron, the gardener hired by the investment-happy business founder, surprises her with his charming advances. What Heidi initially finds hard to believe soon sends her into a frenzy of love.

Поют жаворонки

Satur and Tina are married, and Berta enters their life as a ‘unicorn.’ In the end, however, Satur is pushed out and Tina and Berta have an affair. Manu is a loser who tries to embark on a relationship with Amanda, who at the same time is involved with Alex, Claudia and Marta and Esteban, with whom they are all co-raising two children. Everyone seem to be living many different lives but all of them will have a lot to learn from each other.

Le strade del crimine

Handbook of Movie Theaters' History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future. The mission of Handbook of Movie Theaters' History is to explore and give back to the audience a deep reflection about the identity and the value of movie theater, in its social and anthropological role and as a mass media, and to analyze the experience of the viewer.

There is a dragon, which threatens the life of the shacked village. The attempts of lumberjacks, shepherds and hunters to get rid of the menace are without success. Their battle with the imaginary mythical monster makes them realize that their real enemies are the master Kolota and his servants. The dragon is beaten not physically but spiritually.