A Dying Tree

Manila Madness is a performance film-screen dance presentation that runs down the life of the urban streets of Manila in the Philippines, through a ritualistic performance of a young masked woman seeming endless passage to find the ultimate destination of life and death.

The story takes place in the landscapes of La Spezia, where urban and rural environments intertwine. Water plays a primary role as a form, alongside the circle (e.g., bicycle wheels, pizzas, clocks…), which sets the rhythm of the character’s life, dynamically accelerating until it becomes very fast. The overlapping forms invite the viewer into the cyclical rhythm of the short film, moving from the spinning bicycle wheel to the washing machine drum in the character’s bathroom, from a freshly tossed pizza to the delivery mailbox, and finally to a dead-end wall. Savana is a race against oneself and against others; it’s a matter of decision and unpredictability — it’s black or white.

The end of the world isn’t a global catastrophe, but an inner sense of total collapse, like for a man who’s lost his job and doubts his wife’s loyalty. In despair, he goes fishing and finds a wounded angel. He takes the angel home on his bicycle and introduces him to his family. But soon after, during a party at a local bar, the angel is accidentally shot by a neighborhood policeman. Based on Gabriel García Márquez’s short story 'A Very Old Man with Enormous Wings'.

Reflektion

A man trapped in an aimless routine becomes the spectator of his own life as he wanders through the urban landscapes of his city in search of something that gives him meaning. Between memories and ghosts, he faces his doubts and longings, questioning what is real and what is just a projection of his loneliness.

Corazón en el cenicero

A short fil that follows a body subjected to institutional and diffuse forms of power: medicalization, psychiatric labeling, regimes of sexuality, and everyday violence. Moving between a white clinical space, a cemetery in Toulouse, and ordinary interiors, the film unfolds through gestures, textures, and encounters with other bodies. Inspired by Michel Foucault, Deleuze and Guattari, Artaud, Rancière, and critical thought from Latin America, this short film traces a sensitive cartography of emancipation and asks a simple yet difficult question: what can a body do when it attempts to reclaim its own history?

Collective experimental film by Team 8mm TENGOKU.

A pseudo-documentary follows an unnamed raver obsessed with the extreme sub-genre "gabber," as he drifts through his lonely day by day, far from home and far from his culture.

A fictionalised essay read by Ben Wishaw exploring the complicated relationship between British espionage and male homosexuality. An anonymous narrator talks through the various chapters of his life as a spy and a gay man in late 20th-century Britain. His vivid stories of intimacy and surveillance play out over shots of the luscious countryside, busy Central London streets, and nighttime cruising zones.

A wall-painting on Earth is too terrifying to exist, so unknown forces remove it.

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.

Joey works as a waiter for a hedonistic community of summer holiday makers in a small Mediterranean paradise. It is unclear if their exaggerated behaviors are due to the fact that the summer is coming to an end or if its just the last of their summers.

A lonely man tries to enjoy a regular evening

Omnibus film with 13 short films by students of the HfG Ulm

The turkish ambassador is said to visit a village in Hungary.

Copos D'Água

one-minute video made by students of the UNA Artes Audiovisuales

Two men who have been friends for quite some time and who live in different cities maintain a correspondence with Super 8 film reels that they occasionally send to each other. One of these film reels shows a woman who reminds the addressee of a former girlfriend. Immediately and without paying attention to his obligations to the company, he drives the company car to the city of his childhood friend, 780 km away. There he finds out that she has been the secret lover of his Super 8 friend for years. After about three or four weeks, which they spend on the coast of another country without any significant difficulties, the lover of the childhood friend rows his boat alone across the Atlantic after an obviously frame-up rescue operation.