Denny, a free spirit and artist falls for Ryan, a straight laced lawyer. When Denny questions gender their love is tested.
A woman moves into an apartment in Manhattan and learns that the previous tenant's life ended mysteriously after they fell from the balcony.
21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.
Santa, a peasant woman loyal to the Revolution, is sent to guard Andrés, a gay writer who is under house arrest, considered “ untrustworthy” for his ideas and sexuality by the Cuban authorities. Set in a small village in eastern Cuba during the early 1980s, this poignant political drama depicts an encounter between two deeply thoughtful souls on opposite sides of a profound cultural divide. Both have experienced deep loss, and both know the damaging effects of isolation and oppression. Even so, the cavernous ideological divide separating them — the same one that has separated Cuban friends and kin for over 50 years — has until now seemed insurmountable.
The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.
Robin, a bored retail employee, is tasked with training the stores new employee, a worker robot. Reluctant to work alongside this new machine at first, Robin forms an unlikely bond with it, leading her to make some life changing decisions.
My Transparent Life chronicles the journey of one trans man, one trans woman and a trans couple as transition from the sex they were born with to the sex they identify with.
An exploration of the Samoan faafafine, boys who are raised as girls, who fulfill a traditional role in Samoan culture. In the past they have shared women's traditional work but today are becoming more westernized and look more like drag queens. Several anthropologists comment on the phenomenon examining issues of culture and gender and the complexities of sexual identity.
Kyle Dean was a misfit in her North Carolina school. She was called "Creature" because she was a boy who knew she was a girl in part of the country where such things were not understood or tolerated. As soon as she could she left North Carolina for Hollywood where she felt that she'd stand more of a chance of becoming who she wanted to be. Now as Stacey she's going back to visit with with Mom and Pop.
Manu, a trans immigrant, must return to her native Chile after 10 years in France. In the days leading up to her departure, Manu’s platonic friend Daniel proposes marriage with the intention of solving her visa issues. Manu strongly considers the offer, but she’s wholly disheartened at the prospect of a life without love, romance, and sex—that is, until she meets a fellow foreigner who instills in her the hope for a romantic future.
Three intersex individuals overcame shame, secrecy and unauthorized surgery throughout their childhoods to enjoy successful adulthoods, choosing to ignore medical advice to conceal their bodies and coming out as who they truly are.
A birdwatching trip inspires Max to ask questions about the different expectations we have for boys and girls. His friend Moira helps him challenge what we think it means to be a boy by teaching him a few ballet moves.
Pidgeon Pagonis, a lead activist and educator from the intersex community, crusades for body autonomy and the freedom to choose one’s own path.
The films spans two decades as the story unfolds in a series of flashbacks that begin when Qiyue and Ansheng were just thirteen. The two became inseparable until they met a boy who ended up tearing their lives apart.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.
A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12-year-old charges with her over-romanticized worldview.
Short subject on how fashion is created-- not by the great couturiers, but on the street.
A gritty story taking place in Stockholm, about the passionate love between the self-abusive Sebastian who wants to be a woman, and the easy-going Andreas who is certainly not gay.
A diverse program of films and videos by various artists who challenge conventional representations of gender, family and sexuality, curated by Tom Kalin for Drift Distribution.