Jhingedaau

A lost film. "The Beaten Path" was a 3-reel 3000-foot film produced by the Eclair company in the United States. The film was directed by O.A.C. Lund, and starred Barbara Tennant, O.A.C. Lund, Alec B. Francis, Julia Stuart, Will E. Sheerer. It premiered in August of 1913. Plot summary from "Moving Picture World", August 23, 1913: "This three-reel picture has many big situations in it. In the cast are some of the company's best players: Alec Francis, Julia Stuart, Barbara Tennant, Will Sherer, O.A.C. Lund, Hector Dion, and others. The story is of a family feud between two families, the heads of which quarrel over a boundary line. The main scenes are laid about large mansions, but there are others in an atmosphere of the Northwest, in primitive surroundings. "The Beaten Path" is a real feature."

Two estranged cousins who never knew each other try to make amends for many generations of family dispute.

Bright samurai movie innovatively adapted from a classic story. A traveling masterless samurai is asked by a daughter of an established samurai family to pretend they are a married couple, and gets involved in the troubles of the samurai clan.

A rigid families' employees turn the family house into a home by making their employers relax their wonted discipline.

A political secretary visits their cousin in hopes to understand why certain policies threaten that family member's way of life.

A former priest becomes embroiled in the drama raging between a Mexican rancher, his unhappy daughter and psychotic son whilst dealing with his own issues of guilt and a loss of faith. A new relationship with the local brothel keeper seems to offer a fresh start but the rancher and his son are set on making him pay for his interference and his own inner demons are never far away.

In this zany Czechoslovakian comedy, a scientist invents a machine that projects a sleeping person's dream on a screen; disaster soon follows when the machine malfunctions and the cartoon-like dream characters become very real!

When the baroness surprises the baron with his mistress at the music hall, he passes off young Marcel, a clothing salesman, as an important customer.

In Paris, on the platform of a subway station, three tramps spend time vituperating.

33-year-old Roman decides to tackle his drug addiction by undergoing group therapy as part of a community holed up on an isolated farm in the Šumava mountains. Twelve people, men and women of varying ages and social status, voluntarily subject themselves to a tough regime under the supervision of three therapists. Many of them have stared death in the face already – overdoses, suicide attempts, and aggression heightened by the use of hard drugs, outwardly affecting even the strongest of them. Each brings something of his past into the group, which he has to experience again, both for himself and for those assembled. Past anguish, wrongs and guilt give rise to new problems: in this thickening atmosphere of suspicion and lies, who can still be trusted? This intimate psychological drama deliberately sets out to break up the tight narrative form through retrospectives in which we learn about the past life of each individual.

The story of Lafayette, the 19 year old pacifist who takes the side of the Colonials during the American war of Independence.

In a lighthouse off the coast of Brittany, a young man slowly goes mad following a bite by a rabid dog while his father looks on helplessly. Thwarted by a raging sea, they are prisoners of the lighthouse. In a rustic Brittany village, a young bride waits, unaware of the tragedy.

Vlasta Burian, as a stowaway, disrupts the disciplined operation of a railway station. Mr. Ťopka gives the impression of a gentleman, somewhat Chaplin-like. He makes a living by doing odd jobs, for which he exclusively rides the train as a stowaway. During one of his trips, he meets the feared railway inspector general Kokrhel. At a small station, he manages to get out and change into the stationmaster's uniform. However, he cannot avoid meeting Inspector Kokrhel...

This romantic comedy presents a story of two women, twenty-year-old Laura, an editor at a woman’s weekly, and her widowed mother, a translator-interpreter named Jana. The two of them tirelessly seek Mr. Right. Having once lived through an intense relationship with a ‘typical’ Czech man, Jana intentionally avoids Czech men. She searches for her dream foreigner while long-sufferingly warding off the tragicomic advances of her good-natured neighbor Žemla. After several unsuccessful attempts, Laura falls in love with Oliver, a forty year old who works as an ad agency idea man. Little does she suspect that twenty years ago Oliver was Jana’s true love…

While Kendy returns to his hometown as an assistant director to film a thirteen-part series with a television crew, Štěpán Šafránek, equipped with his mother's advice after graduation, takes up his first position - as an intern at the local hospital. However, his inadaptability to local conditions and his sense of ethics in his chosen profession do not suit his other established colleagues. While they are amused by his zeal and responsibility, Štěpán has increasing problems with his superiors, until he is finally transferred to the position of rural district doctor, which everyone rejects. In Bezdíkov, however, he meets a new, perhaps permanent and reciprocated love, with whom he eventually decides to live and work in northern Bohemia.

To the intolerant and bloody-minded Prague actor Bergner (Milos Kopecký) is the lead in Moliere's Misanthrope which he is studying now as tailor-made. On top of that he is malicious and he advises to the new actress Helenka (Dagmar Havlová) in such a way that she upsets the theatre director. If Bergner accuses somebody of a mischief and he is wrong, he never apologizes. When he almost crashes an older elegant lady by his car on the zebra crossing, instead of an apology he calls her an old ballet dancer... But in Brno's TV he takes part in a discussion on manners and he gives himself as an example of good manners and grace. In the train he meets a magic old man (Ladislav Pesek) who warns him and admonishes him to change his behavior. After he arrives to Prague the old man's threat comes true.

An eccentric teacher (Marie-Chantal Perron) causes children at her elementary school to change the way they look at themselves.

Former boxer Iwano, teamed up with Sada and Maru, who live in the same apartment building, makes his daily living as a punching bag for drunken businessmen in some corner of the amusement quarters. The three have continuously avoided putting themselves in a situation that could tie them down, especially Iwano, who is totally clueless about what he wants to do with his life. One day, they receive notice that their apartment building will be torn down. As a compensation for the eviction, their remaining rent is considered as settled. Having lost their place to live, the three each try to find their way.

The true story of explorer, journalist and writer Isabelle Eberhardt, originally from Switzerland. She moved to Annaba in Algeria in 1897 with her mother, who preferred to live in the Algerian neighborhoods rather than the European neighborhoods that she hated, and converted to Islam. Her lifestyle shocked the French colonialists: she dressed like a man, frequented cafes and smoke shops. Fascinated by the desert, she traveled the Sahara under the identity of Si Mahmoud, she published articles and books on the world she discovered in southern Algeria, strongly criticizing the colonial authorities. Arriving in El Oued, the soldiers prevent him from continuing his journey. She disobeys and overhears officers shooting Arab prisoners. Arrested, she was accused of espionage and was expelled from Algeria. She married Slimane, a Muslim non-commissioned officer in 1901. Having become French through this marriage, she could now reside in Algeria.

Although he was once a colonel in Argentina, the principal character in this film is now a wealthy exile living in Paris with his beloved wife, who has been unable to bear children. To fill this void in their lives, he feeds and clothes abandoned children, raising them in his mansion as if they were his own. As would never be the case in real life today, in this fantasized story set in 1925, no one objects to this behavior, and they live pleasantly and enjoyably together. Things grow considerably more animated when a stage magician places his very attractive daughter in the colonel's household, which stirs a lively romantic interest from his boys and from the great man himself.