Fatty and Mabel Adrift

The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.

The Outside Woman is a lost 1921 American comedy film directed by Sam Wood and written by Douglas Bronston.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

One monkey is stealing eggs from the farmyard. Another monkey, with his dog friend, tries to stop the crook.

A fortuneteller informs Monte that he will marry the first girl he meets. After several false starts, he meets what he is sure is "the" girl. She takes him to jail, hits him with a book, and affects her brother's escape, leaving Monte inside. He finally gets out, a chase occurs and he swears off girls forever, only to be snared again.

Mary Davis, alone and destitute in New York City, pilfers a meal from a restaurant and eludes the police by ducking into the Cafe Royale, where she is shuffled along a line of aspiring chorines awaiting job interviews. In desperation, Mary agrees to impersonate Mademoiselle Fanchon, formerly of the Folies-Bergère, who has walked out on her contract. Reporter Kenneth Ward interviews Mary, believing her to be the notorious Frenchwoman, and due to a misunderstanding, she rushes wildly into his arms. When Robert Ryan, a bachelor friend of the real Fanchon, investigates Mary’s deception, she violently repels his advances and believes she has killed him. Later, the real Fanchon threatens to kill Robert. Following a series of amusing complications, Mary finds love with Kenneth.

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.

Dr. Spencer's wife becomes intensely jealous when she finds, in her husband's coat, a note signed "Mary," which asks him to visit the writer at the Hotel Mum. The woman carries her tale of woe to Attorney Thomas, a family friend. In his effort to make light of the matter, Thomas soothingly places his arm about Mrs. Spencer's shoulder. Dr. Spencer's office is directly across the court. Glancing out of the window, the doctor sees his wife apparently being embraced by Thomas. The attorney consents to accompany Mrs. Spencer to the Mum and meet "Mary." The doctor trails the two. As luck would have it, Mrs. Thomas passes the Mum just as her husband and Mrs. Spencer enter. The doctor and Mrs. Thomas meet and make their way after their other halves, bent on vengeance bent.

Short film involving a flirtatious maid.

He Loved the Ladies

An ordinary man wakes up in a world upside down! Illegible newspaper, people backing up, cars backing up: nothing is the same anymore, but everything seems to be going well.

When Madge, a clerk in a flower shop, is sent to a bachelor's apartment to deliver and arrange a bouquet, she discovers a guest, young and handsome Bradley Lane, taking a bath. She loses her job and becomes a playgirl until Bradley, her true love, asks her to marry him.

Assuming he is marrying a wealthy girl, Peter Foley passes a fraudulent check. To save him from jail, Julia Barry poses as his wife. Peter is actually in love with Alice Blake. He encounters complications with motorcycle cop Bull, who is engaged to Julia. A friend of Alice adds to the mix-up. All wind up snowbound together in a mountain lodge.

Set in Spanish colonial Philippines. Pedro is tasked to wed a wife whilst his activist friend is considering him to join the revolution. Through a raunchy and campy path of winning the love of his life, Pedro is met with a daunting revelation.

The devil is bored in his kingdom. He makes up his mind to descend to earth and get familiar with the kind of life people lead. He chooses the city of Sofia for his excursion. His first contacts are by no means encouraging. Strolling along the streets in the capital in his outlandish Mephistophelean costume, he is chased and stoned. Then the devil puts into operation his tiny machine for printing money. Dressed in the latest fashion he continues his walk unmolested. Money opens the doors of the richest homes for him and he soon becomes a member of the capital city's high life. The devil chooses a prostitute as his partner, who introduces him to her family. The father is a thief and a drunkard so that the mother is forced to be the bread-winner. Satan and the prostitute find themselves in the whirl of easy life.

A young man fakes his identity to impress a girl.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

Passing Through is a 1921 American silent comedy drama film, directed by William A. Seiter and written by Agnes Christine Johnston, and Joseph F. Poland.

In this silent film, now considered lost, Doug Caswell falls for Irene, his wealthy father's mistress. It's up to Doug's stepmother Helen to put things right.

So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.