My Name Is Not Ali

Claire Denis goes to Eastern Chad to the Breidjing camp, the home of 40,000 refugees from Darfur. With great humility, she tells the stories of these men and women, victims of one of the worst humanitarian catastrophes that this century has seen so far.

In Finland, a small child is waiting for his time to begin. His heart is broken. A major heart surgery is expected. There is a fight against time. The boys parents are wandering in the corridors of the hospital. The heart is stopped during the surgery operation. Le Locle, a village in Switzerland acts as the heart of watch industry. Narrow streets of the village carry vital parts to watches and nowdays also into human bodies, for example pacemakers. Village is formed as a big factory line and appears as a time-twisting machine. There pieces are refined and workers hands turns the time on and off.

Pavlina is a drug addict imprisoned, as well as her boyfriend, for illegal drug manufacturing. They meet again after the amnesty and the vicious circle of drugs starts rolling again.

René has been in prison since he was 16. He is sick of life and doesn’t care about his parents (just as René’s parents never cared about him when he was a child); he doesn’t even know how many more children they had. After the general amnesty, René just hangs around, not satisfied in any job, and with his younger brother he starts stealing. In no time he is back in prison, this time joined by his brother who is still a youth. History repeats itself and René’s life philosophy seems to be confirmed: You enjoy your freedom for a while, then go to prison and the same thing happens all over again.

My Really Cool Legs! follows a group of pediatric amputee athletes who challenge themselves beyond their disability. Led by their amputee mentor and coach, these kids dance and ski, ice skate and run, refusing to let their disability define who they are and what is possible.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

The Ways of Seeing writer is celebrated by Tilda Swinton and her fellow admirers in an unorthodox four-part documentary that visits him at his Alpine home

An extremely rare subject by the famed still photographer. A 1934 short.

A blunt and human encounter between a nurse and an aging man.

Dr. Feelgood shares several perspectives on prescription drug use, exploring the issues involved when doctors are faced with patients seeking help for chronic pain.

The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.

This is the story of the few people who went ahead, beyond racial prejudice. And their struggle to open the workplace to other people.

Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos

Akerman spends a brief period on her own in an apartment by the sea in Tel Aviv. She films from the apartment and in her narration she talks about her family, her Jewish identity and her childhood. She wonders whether normal everyday life is possible in this place and whether filming is a realistic option.

Solidão e Fé

Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with an open-mic poet provocateur. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.

Lenka and Míra Hřib are a young married couple with two small children. They are both interested in ecology and sustainable life.

An observational documentary about Jakub Špalek and all his activities, victories and losses in the years 1989 to 1999.

A documentary film following several years in the life of Jan Potměšil who has become a very popular actor at an early age, representing the type of a young sporty intellectual. After a serious car crash in 1989, he ended up on a wheelchair. He was 23 years old at the time. After a year of rehabilitation, he returned to the stage. Excelling in “Flowers for Algernon”, he continuously acts in the production in front of sell-out crowds across the country. He also lives his personal life, experiencing new loves and breakups, is engaged in civic affairs and returns to the hospital now and then. The film aims to give a non-pathetic image of a life lived to the full despite adversity.

Heda Blochová was born in Prague into the Jewish family of the cofounder of the well-known Koh-i-noor factory. She married Rudolf Margolius, a lawyer. Soon after the wedding the young couple and the whole Margolius family were deported to the ghetto in Lodz. After spending a couple of years there, they were all taken to Oswiecim concentration camp. There the family was parted. Heda was lucky enough to be taken to a labour camp after a few months and was finally made to join the Death March. She managed to escape the guards and thus saved her life.