Rogers plays a small town banker in the 1890s whose chief rival is the deacon (Middleton) with whom he has traded horse flesh. Taylor is a bank teller who places a winning $4,500 bet on a 10-1 harness racing horse, making him Rogers' bank partner.
The action of the story takes place around the Christmas time, when, as usually, the most unbelievable miracles come to life. The story starts with Masha - future doctor and meanwhile an eager student of medical university, her best friend Lilka - a colorful and charismatic young lady who is always in search of man of her life, and Masha's grandfather, Andrei Ivanovich, who is her only relative - a kind but deeply sad amateur painter. The heroes live their ordinary lifes with their worries and laughs until at Christmas Eve they receive a phone call... Three Aunties, who named them self as distant relatives, announce their arrival within an hour. With their arrival the story becomes dashing and somehow magical.
Ich Chef du nix
Ruby and Garnet are identical twins, ten years old and inseparable. Since their mother's death they live with father and grandmother in the big city. When one day attractive Rose steps into father's life, Ruby and Garnet's whole life is turned upside down. They must leave their beloved granny and move to the countryside with father and that much hated "new one" because father wants to fulfill his most ardent dream to open a bookstore.
Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)
Two young Argentines, brought together by chance, wander the streets of New York City, increasingly lost in a maze of currency exchange, translation problems, religious vocation and nocturnal flirtation.
When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.
Spoiled Jessie Montgomery, whose wild behavior and spending excesses cause her well-meaning but exasperated millionaire father Charles to wish he never had her, is visited by fairy godmother Stella. In an effort to save Jessie, Stella casts a spell which causes Charles to no longer have a daughter. Jessie, now penniless and without a friend, must take a maid's job to earn a living, and hopefully to learn her lesson.
It took a lot of cajoling to get Bob, a recently widowed architect, to go on a blind date at a quirky Irish-Italian eatery. Once there, he's smitten instantly not with his date but with the sharp-witted waitress. Everything seems to be going great until an unbelievable truth is revealed, one that could easily break both of their hearts for good.
An original mix of fiction and reality illuminates the life of comic book hero everyman Harvey Pekar.
A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories.
Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit.
Trans man Stafford candidly tells the story of a memorable encounter he had at a sex club.
An offbeat, wryly humorous look at the dilemma of a would-be suicide unable to find the right outfit to die in, examines the personal habits, socialization, and complexities of life that keep us going.
Nina is a 20 years old girl from Valladolid who lives with her divorced father, an autoritarian and conservative man. Trini is of the same age and has lost her mother. For both Valladolid and their families have nothing to offer and therefore they go on a risky voyage to the Costa del Sol at the south of Spain.
Many people are preparing their lives for a lifetime, to make it safe and secure. And then the fate's game of 24 hours can overturn everything.
Jane, a structured travel agent in Helsinki, lives a comfortable life with her longtime boyfriend Mikki, a struggling actor. When Mikki proposes opening their relationship to reignite lost passion, Jane reluctantly agrees to attend a sex-positive retreat. There, she meets Valma, a confident, free-spirited woman deeply rooted in the polyamorous lifestyle. Drawn to Valma’s openness and emotional clarity, Jane begins to question the limits she’s placed on love and connection. As their bond deepens, Jane finds herself navigating unfamiliar territory—desire, jealousy, and self-discovery—while her once-stable life begins to unravel. What began as an experiment in freedom becomes a profound turning point that challenges everything Jane thought she knew about relationships.
A short musical drawing from the real-life exploits of lobotomist Dr. Walter Freeman.
A dark comedy about a young woman in her early thirties becomes aware of her own mortality and reacts by meticulously planning her own funeral. Possibly due to a lack of other big days in her life so far, such as a wedding, this becomes her moment to shine.
Newly married Ally struggles to cook the perfect Thanksgiving meal for her husband, his two daughters and his ex-wife (without stabbing anyone).