A.

Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.

Alma, petrified, does not know how to react when her son, age 8, wants to dress as a fairy and go to school. She asks advice from her neighbor, and eventually the entire building debates his right to behave cross-gender.

12,000 feet down, life is erupting. Alvin, a deep-sea mechanized probe, makes a voyage some 12,000 feet underwater to explore the Azores, a constantly-erupting volcanic rift between Europe and North America.

You will meet me and we will smile again

Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.

A group of old friends reunite for an evening. Something ugly is bubbling up to the surface.

It all started when Astrid was going to move to Gothenburg. A first-hand lease in an apartment district turns into a hub for 13 years of life. Many people have lived and slept here. Love has bloomed and life has been changed.

On many working sites where workers spend years away from their families, every visit is an event. A husband climbs down from a potentially fatal construction site to meet his wife for lunch.

A granddaughter struggles to care for her grandfather, whose fading memories and haunting hallucinations blur reality, in this poignant tale of love and communication.

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."

Comments on the history of a people, made by the filmmakers and their characters. From the time of contact, through captivity in rubber plantations, to the current work with video, the testimonies give meaning to the process of dispersion, loss and reunion experienced by the Huni kui.

Plant

Plastic Chairs follows Dylan, a recovering addict forced back into a support meeting by his sister after a near-fatal overdose. There, he meets Tom — a man further along the same path, who recognises his own past in Dylan and quietly offers understanding rather than judgment. As stories are shared and silences linger, the film observes the difficult, often invisible act of choosing to stay. Plastic Chairs is an intimate short film about relapse, accountability, and the courage it takes to show up for yourself when it feels impossible. Chloe Webb makes her directorial debut.

When Albin lands a much-wanted acting job, he doesn't hesitate to make it his top priority in life. But he's still not clear about what the job entails.

A seemingly never-ending project that through strong determination and small breakthroughs along the way is finally completed. In an environment of chaos and junk, norms and structures are challenged, not least in one’s own family.

Nils works with a comedy talk-show but doesn’t get the respect that he thinks he deserves. At a pitch meeting one of his ideas gets stolen by his colleague, Fabian. Everyone loves the idea, but no one except Nils realizes the fact that Fabian stole it.

Sully Johnson lives as an orphan with his sister Nicole. To give her a better life, he chooses to abandon his dangerous and criminal activities and create a better environment for his last surviving family member.

Based on Eimear Ryan’s essay ‘The Fear of Winning’, three successful female athletes explore how being physically courageous, unapologetically competitive and deeply passionate in team sport can unlock a freedom to really occupy your own skin.

The preservation and development of traditional folk crafts is in the hands of skilled individuals... Wicker Beauty presents portraits of those creators from among the holders of the title Bearer of the tradition of folk crafts, for whom the basic working material is various natural weaves. We will show baskets woven from pine bark, tying birch brooms or traditional products from willow wicker and also from pedig, which is a material obtained from tropical liana in Southeast Asia. The five award-winning manufacturers continue the legacy of old basket makers and, together with their families, maintain a tradition in their home workshops that continues from generation to generation.

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why she is a superhero in her own way. (This short piece is included on the 2-Disc DVD for "The Incredibles", which was released in 2005.