The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.
A photographer looks at pictures of the last day of a boy's life.
Six women in Paris traverse the neon-soaked anxiety of the city after dark.
Kaio is not from this planet. On a Saturday night, he goes out with his Earthling friends and tries to deal with his feeling of not belonging.
Andy and her team of immortal warriors fight with renewed purpose as they face a powerful new foe threatening their mission to protect humanity.
A restless spirit embraces solitude both before and after having loved, and life goes on.
Charlie is Not a Boy is the tale of a hushed soul, bound to a crumbling household in an allegorical America. With a perverted butcher for a father and a mother frozen in a quiet, catatonic spell, Charlie seeks solace in the whimsical world of his eccentric grandmother. As his safe haven unravels, Charlie navigates the hostile worlds of home and the military, caught between his authentic self and the masks he must wear.
Aguardo a Ressurreição em Celulóide
An experimental film shot on distressed 16mm celluloid that reveals various men on the beach or in swimming pools, in various states of lounging in the lazy California sun.
Along the silver stream
Loosely based on the classic story of Sleeping Beauty, this irreverent gay fairy tale for modern audiences follows a man named Moses, whose frequent seizures are characterized by the appearance of Glintentica, a spurned Goddess planning her return to earth. Problems arise when Glintentica becomes determined to take over the soul of David, Moses' new love interest.
Julia experiences a confused world seemingly against her after receiving a pessimistic tarot reading, as her feelings inevitably differ from her thoughts. Which way to go?
A short film collaboration between director Kristian Day and make up artist Patrick Boltinghouse. Patrick had created the make up for Pride Weekend 2010 in Des Moines, Iowa. After the parade, he called Kristian up explaining that he was in make up and had a bird on his shoulder. Kristian's only reply was "I'll get the camera ready". Filmed entire in his home, Kristian made two versions: a single play version and a "locked groove" version which played on a loop at the Resident Artists: Guns Blazin' show on July 9th, 2010 in Des Moines.
Created in response to a traumatic hate crime, artist, Venus Patel, explores her emotional journey through several archetypes, each of whom perform with an egg. Using the weapon of the assailant, the egg itself becomes a tool with many psychological and symbolic meanings within it. The power of reincarnation, birth, nature, hope while also pointing to the power it has to utterly humiliate and embarrass if used in a certain way. There is an embrace of the absurdity of these performances while still speaking to the deeper subject matter. By placing the outlandish characters into public spaces, they confront a preconceived notion of pushing true queer expression into only hidden spaces or only at night, into the daylight and into the normal everyday experience.
Coven of the Midnight Son is set during the era of The Salem Witch Trials and follows the story of two lovers from opposing worlds. Etho (Romelo Urbi), an orphaned witch who lost his mother to the trials, and Lucas (Jan Luce), a rebellious human villager whose father becomes the chief of the Witch Hunts, find their love tested by their circumstances. As they confront their own familial struggles, Etho and Lucas must also face the dire consequences of their forbidden love.
Sebastian, an ambitious magazine creator wants to explore the world and document his experiences. During his maladaptive daydreams, reality comes crashing down on him.
Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.
A vampire desperately searches for the records of his existence after learning of the passing of the artist who painted his portrait.
A lonely woman finds love in an unlikely place: a phone box haunted by a decades-old caller.
Casey (a nonbinary sheep farmer/cartoonist) and Robin (basically a vagabond) are lost in a magical forest, struggling to find Casey’s sketchbook so they can get the heck back home. Unfortunately, The Butterfly Queen wants the sketchbook too, and A) she’s clever, B) she’s desperate and C) she makes the rules.