Felipe Rey

A son loves his mother, because her hands were the first to welcome him. At her funeral, he steals the hearse and drives away. During the journey, the boy reminds the last weekend they spent together. Agnese takes care but doesn’t love, she’s lost in her thoughts and doesn’t let anyone get closer, not even Giulio. Two days to understand each other, two days to love each other, and to leave in the end.

Lebanon, Mother's day. Joey (20 years old) is preparing a surprise diner for his mom who is always abroad. but today is a special day because she is here, but not willing to stay till the evening, until they celebrate. Tortured with the idea of her leaving again, Joey tries to convince her mom to stay. But the mother is here for another reason: pushing her son to tidy his house and to accept change.

A peculiar neighbor offers hope to a recent widow who is struggling to raise a teenager who is unpredictable and, sometimes, violent.

On a voyage into the dark, we follow a man portraying an intens dialogue with the subconscious. A vignette into the process of looking inward, evaporates the ego and listens to what wants to be heard, on the road to letting go. A requiem for the death of the self.

One morning in the early 90s, florist Ádina performs domestic tasks after apparent disagreements with her husband, Ivo.

Lazy Boy unfolds in long, unhurried takes that mirror the stillness of its subject: a full-time furniture salesman in the South Bay of Los Angeles, working through the quiet despair of an economic recession. With customers scarce and sales impossible, the film lingers on stalled transactions and empty showrooms, transforming the monotony of labor into a portrait of endurance.

A mother and her son find themselves in an awkward situation where they live in the same building but they're separated due to different reasons. Mahmood develops a system to solve this issue and the situation starts to heat up.

Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.

A teenage boy and his mother are on the run. The father is violent and has a history of beating up his wife. They manage to get away from him and drive far away, until they arrive in a small town where they settle down. They rent a house from a nice man and soon they forget everything that has happened in the past, until the boy begins to have bad dreams of his father.

Itamar and Thomas share a bed, walls, an apartment and electricity bills. Thomas commands, manages, and criticizes; Itamar is silent and listens. Between the apartment walls, frustration and loneliness unfold.

In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.

Three guys working the graveyard shift around a deserted urban college campus try to make it through a long and lonely night on the job.

Pedro gets home at dawn. Before the young boy falls asleep, his lonely mother drags him to the beach.

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

Second part of the romance between father and son. In this installment Alex introduces his new girlfriend to Gonzalo, who cannot hide his jealousy.

Doina, a shepherd’s wife in ancient Romania, turns her daily routine into ritual. When nature foretells his death, her journey through grief blends realism, myth, and magic, where despair meets imagination.

A man stuck at a dead-end job must reckon with a figure from his past.

In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.

A rebellious student embarks on an affair with the mother of his best friend, leading to disastrous consequences.

Valentino wanders through the city like an apparition, ensnared in the liminal space between nostalgia and departure. His camera fragments reality into vestiges of a nation that still lays claim to him. Spaces where memory murmurs unfulfilled promises. In a discourse that transcends mere conversation, words entwine with eloquent silences and in that fleeting exchange, the inevitable emerges: farewells foretold, inscribed before they are ever uttered.