Spiritual Sucessor

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

What happens when two hands touch? How close are they like? And how can proximity be measured, and even more so, in times of a pandemic and distancing? We think we touch things, that we can take other people by the hand, but physics tells us quite another story.

Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.

Documents an unusual encounter between a wolf and a doe. Inside a white-walled gallery space, the predator and prey circle around the room and inspect one another... yet the interaction remains peaceful, subverting the expectation of an attack. - Walker Art Center

4to Piso

This experimental film explores the relationship between what we perceive as natural and what we perceive as unnatural and how this relationship changes over time due to natural and unnatural decay.

An abstract exploration of teenage hood and future discontents. It is the search for an alternative.

A photograph of a tomb sculpture of a young angel with a copper rose in his hand. Reanimating the copper rose lends this abandoned sculpture a new liveliness. This work is a comment on photography and its magic.

This video is based on a photograph dating from 1932, taken at the opening of the new Antonio Sant’Elia kindergarten in Como, Italy. We see children playing in the school’s functionalist garden (designed by the architect Giuseppe Terragni). The light is cold and it seems as if the sun is low, creating the long shadows of early spring. The image of the children remains in between a spontaneously captured moment and a composed picture. The movement of the young trees suggests that the image is frozen, while it simultaneously continues to melt further into motion, as though undecided in which direction to go.

‘Four Persons Standing' is based on an appropriated image, which I altered slightly. It is one of a few works that I made that has sound. The monotonous sound comes from two seconds that I took from a 1980s television series, facilitating a transition between two scenes, with no particular dramatic outcome. I limited movement to the nervous grain of a still from a video. Therefore the projected picture is just a still, and the sound is also a still. But at any moment, the characters - two men and two women - could interrupt the composition and move on with their lives. The picture's elements are dynamically imprisoned in their own composedness. They are on the brink of action, yet they never do; but then again, they could. I tried to make a found picture - lost in a book - act like a photograph.

Cat and Bird in Peace is a real-time recording of a cat and a bird sitting in a cage. Nothing happens, however...from time to time the bird looks to the left and then to the right, and the cat sometimes looks up. The animals seem to ignore one another. In contrast to what one would expect there is no element of suspense in this normally dangerous situation.

The image shows a large, splendid tree standing in a green field, filmed on a summer’s day. The leaves move in the wind and the sun’s rays glide over the tree. After a moment of contemplation it seems to the viewer as if the tree is performing a kind of theatrical dance that contrasts moments of sunshine and shade.

This work shows the image of a postcard dating from the early 20th century. On a country road two men are standing near a gigantic tree. In the distance we can see a mill and the outline of a village. At first glance there is nothing that seems strange in this pastoral and picturesque tableau. But when you look closer you notice the leaves of the tree softly moving in the wind.

Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound.

The second film in the Phosphenes series.

An experimental short film that explores the textures of nature and the gaze of a cat.

Produced for the NFB by Crawley Films Ltd. for the Canadian Department of Industry Trade and Commerce. This film provides a showcase for products manufactured in Canada, from aircraft designed for special duties, to pre-cast bathrooms that can be installed in one simple operation. There is heavy-duty machinery developed for the special needs of Canadian industry. There are women's fashions of universal appeal. All bear the 'Made in Canada' label and can be viewed in this film in colour and at close range.

Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice. A malfunction causes the man to experience moments from his past in a random order.

The professor does not approve of his daughter's suitor. His disapproval is so marked that it is finally noticed by said swain, Tim Brown, when he is kicked out of the house by the father of his lady love, and he resolves to be careful in the future and not be subjected to further indignities.

Three filmmakers come together. But what do they have in common, anyway?