Let Me Call You, Ritwik Da

The homoerotic poetry of Mutsuo Takahashi sets the stage for these associated images based on male desire.

"Fag End" is an astute representation of the metaphorical death of a mother. The movie revolves around a girl named 'Tania', a victim of smoking and alcohol abuse, going through the process of In vitro fertilization. When it comes to alcohol and smoking, an abuser is overlapped with the tendencies of both alcoholism and chain smoking wherein one is subjected to intense cravings, followed by untoward mental as well as physical detention. Things go downhill one morning, as she relapsed the night before and she suffers a miscarriage. Does it not leave us with the raucous screams of the unborn?

After Tsutomu Tamaki graduated from high school, he has worked at his family farm and raises ume (plum). He becomes interested in a class for “poetry boxing” and decides to take the class. There, he meets a female high school student who has her own problem.

A reflection on man's relationship and needs with the earth, with the self and with hope.

At the Blue Iguana, L.A.'s most notorious strip club, the lives of five exotic dancers converge, clash and ultimately bond over the course of one week.

In countless meeting rooms, an employee wants to resign. Her motivations don't matter, what matters is the catharsis of resignation.

A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.

A dishwasher becomes lost in their daydreams.

The day of an artist who has to present one of his works is told through a continuous cinematic dispersion aimed at reproducing and making the viewer experience firsthand the mental dispersion inherent in the protagonist

An artist on the verge of finishing his dream.

Childhood memories continue to live inside me. Some of the most painful ones are the ones that echo the longest.

A man of words is forced to become a man of action as John discovers the secret bucket list of his ill son Robin. The two abscond from the hospital to fulfill the boy's greatest wishes - as the police pursue John for kidnapping.

Photos are no longer enough to nourish the memory of happy days... Poems are powerless to preserve lost love... To return to the place of ecstasy is to return to Eden... With risks and perils...

A movie about a fish. An experiment in narrative using digital footage of fish, mollusks, and crustaceans in a fish tank.

Filmmaker Tegan Pearce combines autobiographical spoken word and expressive visual direction to present a cinematic interpretation of autism.

Volar Sin Alas

In a haunting night, *Orang Malam* tells the story of Kimung, a man haunted by 750 years of solitude and the disappearance of his beloved Cempaka. He meets Dirah, a mysterious woman carrying her own burdens. Together, they share stories of heartbreak and injustice, confronting questions of fate and redemption. This poetic film explores memory, love, and resilience amidst despair. DOI: 10.5281/ZENODO.15477686

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

Set in 1980s Sweden, an immigrant boy navigates a chaotic world of identity, love, and belonging. A kaleidoscopic journey through fragile places where acceptance lives.