Kyô mo mata sugita

Leah, a lonely zombie-in-hiding, is forced to rejoin society when she inherits a house from a mysterious relative. Bullied into getting roommates by a suspicious inheritance lawyer, she's joined by Hazel (a gutter punk goblin-in-exile) and Half-Off (a naive alien researching human love) on the path to redemption. Monster Girls takes a darkly comic look at the lives of every modern 20-something; desperate to find identity, acceptance, and a way to resist the urge to kill everyone they meet.

A story of the fear of losing a friend. While attending her friend's 50th birthday party, Turid realizes she is no longer her closest friend, so Turid starts playing games to make sure she’s noticed.

A young man is recruited by a secret cult of VIPs to battle the infestation of an ultra-exclusive New York City lounge. As their utopian plans teeter between success and failure, a sycophantic stranger forces them to make the ultimate decision.

A Russian stop-motion adaptation of The Tale of the Fisherman and the Fish.

Pepe wants to belong to the luxurious lifestyle of Leo, his best friend. To achieve this, he creates a world of lies that will put more than his friendship at risk.

Amanda and Manuel are friends, they hang out during the afternoons, flirt with each other and conceive the idea of turning one of Amanda’s drawings into a stencil to put it on a wall near their school. A romance blooms. When the date for the drawing arrives, Manuel is nowhere to be seen, and nobody knows what happened. Amanda can’t understand this situation.

Mr. and Mrs. Parker leave their apartment to the care of their servants, Riley and his wife, while Mrs. Parker pays an extended visit to her mother, and Mr. Parker makes a business trip. Riley assists at the going away and the furniture is covered with care. Riley finds the need of some ready money, and he resolves to turn a penny his way by letting the apartments in the absence of his master and mistress.

One evening on a place called Anson Beach, New Hampshire, with a group of teens, survivors of a catastrophic virus called A6, or “Captain Trips”, that has wiped out virtually the entire population.

Manon aime le hockey

First in a series of medieval giants. Inspired by the artwork of Jakub Różalski.

A portrait of an independent filmmaker and the lengths he will go to fulfill his celluloid dream.

A children's storybook come to life: the tale of Precious the Pony who wants to win a beautiful tiara.

In Atmosphere the camera pans back and forth over a body of water at a varying tempo and most people assume that a camera operator is in charge. The final image of the film carries a great deal of significance. It opens up a gap between the film’s appearance and its reality; what it appears to be – what it imitates – is not an object or scene from everyday life, but a film. Atmosphere is not just an imitation, but an imitation of an imitation, a metafilm that plays with the viewers’ expectations about cinematic form. —R. Bruce Elder, Image and Identity

Don Lázaro is a former gunslinger that has left behind his years of violence to care for his granddaughter, Beatriz. The child suffers a terminal disease and doesn’t have much hope to live. Lázaro is visited by a former friend for an appointment that will decide Beatriz’ future.

Tormented by pain, grievous memories and old age in a merciless solitude, the cantankerous and sullen Fausto, who goes leaving traces of bitterness behind himself, understands that never changes the final destination: return eventually to the nothingness from which we came.

The short film captures the tireless battle of Namibia Flores Rodriguez, the only known female boxer in the Caribbean nation. Training at Havana’s Rafael Trejo arena in defiance of the ban, the athlete undertakes the same unrelenting regime as her male counterparts—running the same circuits, lifting the same truck tires—but without the hope that she might one day represent her country.

Michael is faced with a dilemma, when a night of drinking with friends, turns into a sensual exploration of sexual identity.

A monologue about AIDS, rendered in split-screens generously furbished with images from Terminator 2, science flicks, Michael Jackson and home movies. The opening section of Panic Bodies (70 minutes 1998).

Devils fall in love in Seattle in a black comedy of sex, machines and flight. Photographed a frame at a time over three days, 1+1+1 shows us the wordless tale of unlikely lovers, the first appearing as a hovering devil in flight, excreting a vegetable life, while her's clock-spitting, bathing-besuited figure lifts weights in a frank measure of indifference. Their touch promotes a shimmering aura of light, a celestial forcefield which they lash against, finally retiring to the kitchen with a clutch of tools to fine tune desire. Could I fix you? Donning each other's clothes, they fly off together to the strains of Strauss's Blue Danube Waltz.