Fresh out of a long term, serious breakup, Lane Woods chooses to work through (read as: distract himself from) his feelings by making a documentary about his attempts to get back out there and find a new love. With the help of his younger brother, Colin, Lane films himself as he goes on countless dates, hoping to catch those first sparks of love on film, instead he ends up documenting something much closer to reality.
A new father takes his wife and daughter on a journey to his mother’s birthplace in Scotland. It is 1976 – the year in which NASA’s Viking 1 and 2 space probes land on the surface of Mars. They send images of an only vaguely explored area from a great distance, enabling a first look into the history of an alien planet. Like the NASA scientists, the small family are hoping that their journey will give them insights into the past, an understanding of the present situation and perhaps even the chance to anticipate the future.
Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.
Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
Eyewitnesses across the globe describe encountering the same evil entity.
Many years ago, a group of friends started a journey. This documentary looks back at unique hobby that forged an unbreakable brotherhood.
This special 10th anniversary edition of the Found Footage Festival finds curators Joe Pickett and Nick Prueher in a nostalgic mood, delving deeper--perhaps too deep--into some of their favorite VHS finds from over years. But Volume 7 is also jam packed with newly unearthed treasures, featuring singing rabbis, petulant news anchors, coughing snake handlers, bodybuilding clowns, and two body parts never before seen in the festival! It's a celebration of a decade of Found. Record over and you'll die! Taped live at The Grey Eagle in Asheville, North Carolina.
Paranormal horror documentary with real footage of the night when two friends entered with cameras in an abandoned hotel among the forests of Galicia, they were surrounded and attacked by unexplained forces. The documentary shows what happened there with real footage and interviews of the protagonists.
An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.
State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.
For the past two months, we dedicated out lives to documenting the life of Sam. Every human on a day to day basis encounters a "Sam", a peculiar somewhat unpredictable seemingly valueless person, and what you would probably refer to as "douchebag" or "arrogant prick". We found ourselves unknowingly siding with society until we took the time to really observe and realize the childhood trauma and drug abuse that contributed to creating this flawed but valuable human being.
Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.
Filmmakers and paranormal investigators spend two weeks in the world-famous home that inspired the horror movie "The Conjuring."
"CIVIL WAR SURVEILLANCE POEMS (Part 1)" is the first installment in a five-part project of experimental and hybrid-form short films contemplating a second American civil war via lyrical nonfiction, mixing call-in radio, twenty years of verité footage from the filmmaker's archive, and robots. Conceptually speculating from sixteen years in the future (and a protracted civil war), the project is partly nostalgic political travelogue, partly a quest to mine the archive for what went wrong, and part prewar surveillance records, the project deconstructs and builds to a clashing ideology, culminating in an installation of sound sculpture, four-walled video and artifacts.
A young woman's life takes a series of unexpected turns after she leaves the Buddhist temple where she has lived most of her adult life.
A visual image of the city of Lysychansk, Luhansk region, Ukraine, created from found archival materials from the Akzent TV channel.
Inheriting a film collection of home movies after the death of a relative, a film director recounts his life and the women he loved while investigating some family secrets hidden in the recovered images.
TIMETRAVEL_0 is an extraordinary docudrama that follows Cris McCarthy as she explores the urban web legend of John Titor, the man that came from the future. Cris searches for evidence of Timetravel and John Titor's predictions of a massive civil war. In the process of her filming, her work was investigated by authorities and eventually confiscated by the government. Its recent release has allowed it to be edited and produced.
"Slaughter" is an experimental short film that delves into the archival and historical footage of the Iranian Revolution in 1979, depicting a symbolic narrative surrounding the ritualistic act of animal sacrifice, known as "Besmel." It serves as an allegorical representation of a nation's sacrifice amidst the backdrop of political transformations.
An intimate portrait of a Belgian family. They seem normal at first, but after a while they show their true colors. They’re a bunch of ruthless and indifferent serial killers without any scruples or morality. You’ll witness their daily slaughter and, as the bodies pile up, see how they’ll come apart at the seams.