0004ngel

Filmed for the most part from a low-flying aircraft, this documentary short presents a breathtaking view of Canada from coast to coast. Showing the varied terrain, from craggy coast to towering glacier, the film illustrates Canada’s pristine wilderness as well as today's industrial and urban realities. Canada the Land was specially commissioned for the Canada Pavilion at the Osaka World Fair in 1970.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Raízes de Concreto

This short documentary shows Canada's top swimmers in training for the 1964 Olympic Games. Under the critical eye of coach Ed Healy, they practice long hours in the gym and in the pool to build strength and stamina.

A Arte ao Alcance de um Olhar

A many-faced view of humanity, of global man in all his forms and interests. Produced originally in 70 mm (with stereophonic sound) for showing at Man and His World, the Montréal fair that succeeded Expo 67, this film employs the multi-image technique. People of all places, origins, cultures, secular and religious, are here united and seen side by side, creating an impressive, inspiring and challenging portrait. The film's title appears in seven languages. Film without words.

A kinetic prayer and structuralist intervention. Shot entirely on an iPhone 11 in a desolate Midwest laundromat, 108 spin documents the mechanics of impermanence. The film shifts from heavy turbulence to suspended repetition—not as a path to completion, but as a study of the loop itself. Featuring a layered soundscape, the work asks the viewer to stare into the rotation until the noise becomes a mantra.

A silent film portraying winter across three continents.

A short film about the role of giving care to others and healing from loss, featuring Rebecca Moore, founder of The Institute for Animal Happiness (IFAH), a microsanctuary animal rescue and vegan advocacy organization.

Food is a unifying force across our communities. In this short film, we share the stories of three Latinos - each from a different country but now living in the same American city - who come together to share flavors of their homeland, all of which include one central ingredient.

On June 14, 1977, the eve of the first democratic elections after Franco's regime, Llorenç Soler and his crew go out into the street and ask passers-by which party they are going to vote for.

La notte dei Cucibocca

Between 1993 and 1995, artist and photographer Louis Jammes took pictures of people on the streets of Sarajevo under siege and gave them angelic face and wings. Then he put his huge portraits on destroyed city walls. Suddenly, it seems as life is getting back with their arrival, because they brought a sense of peace, beauty, nostalgia...

VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973. The film reflects on Lispector’s interior experimental monologue on the “instant-now” of time, the discomforts of language which are “beyond thought” and the harmonious dissonant reminders and remainders of that “sometime what is seen is ineffable.”

The short film shows real footage of the city of London and the area around the River Thames. The commentary is spoken by a member of the London Water Police in German with an English accent. Together with the commentator, the viewer takes part in a boat trip on the Thames, which begins above London and then shows the western suburbs, the government district, the West End, the south bank of the Thames, the city and the harbor area of the metropolis.

Puños de barrio fino

A heavily edited look at a routine dog walk with 3 small pups.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Short docudrama exploring the history of sex in the homosexual community from the 1970s to the present day, and how the internet has changed the way gay men meet forever.

Documentary on industrial lubrification.