Worlds

Suffering from insomnia, disturbed loner Travis Bickle takes a job as a New York City cabbie, haunting the streets nightly, growing increasingly detached from reality as he dreams of cleaning up the filthy city.

A commissioned music video for Emmit Fenn’s instrumental track, Wind.

Black holes stand at the limit of what we can know. To explore that edge of knowledge, the Event Horizon Telescope links observatories across the world to simulate an earth-sized instrument. With this tool the team pursues the first-ever picture of a black hole, resulting in an image seen by billions of people in April 2019. Meanwhile, Hawking and his team attack the black hole paradox at the heart of theoretical physics—Do predictive laws still function, even in these massive distortions of space and time? Weaving them together is a third strand, philosophical and exploratory using expressive animation. “Edge” is about practicing science at the highest level, a film where observation, theory, and philosophy combine to grasp these most mysterious objects.

A man sifts through his dreams, dilemmas, memories, secrets and the poetics of love as he harbours his greatest desire, to simply die.

Shot entirely on a webcam and guided by the Imperfect Cinema philosophy, this film captures the drunken drift of a man reaching for connection in a cold, indifferent city. What unfolds is either a dream, a dying vision, or both. Then — reality returns with a quiet whimper. Life moves on. Raw, lo-fi, and unapologetically rough, this is a meditation on how easily the world forgets. Meaning is left open; interpretation belongs to the viewer.

Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.

Secret ladder. Borne from firmament. Stone, atonal waters. Chorus of silent hands. A vanishing act. Night is burning. Night is burning white. Flesh, a white fire. Avian. Given. Secret ladder. Mirror, become mirror.

Eva, a mysterious doctor, searches for an answer to her urgent dilemma as she unravels Dr. Anmuth's Book of Vision. Henry gets involved in her life and is forced to confront his own nature, as Eva faces the biggest decision of her life.

Crossing the vast outskirts of the big city we can glimpse that after the great future catastrophes there will still be room for the promise of a new youth, perhaps the last one.

Apocalypse

Set over three generations and beginning with a sexually frustrated orderly during WWII who relieves his tensions in the most outlandish, gross ways. The result of his liaison is a glutton who grows up to be a champion speed eater. He produces a child who becomes obsessed with taxidermy.

Las Preguntas que Perdimos

Weird Weird Movie Kids Do Not Watch The Movie is the second collaborative feature film between Rouzbeh Rashidi and Maximilian Le Cain. This hypnotic, visually and sonically immersive exploration of a haunted space unfolds in two parts. In the first, a woman (Eadaoin O’Donoghue) dissolves her identity into the ghostly resonances she finds in the rooms and corridors of a sprawling, atmospheric seaside basement property. In the second, a man (Rashidi), existing in a parallel dimension of the same space, pursues a bizarre and perverse amorous obsession.

BLUR tells the story of Iago, who's had health problems and speech impediments, until he meets Isabela, who will help him find meaning after surgery.

When a mysterious fog surrounds the boundaries of California, there is a communication breakdown and all the Mexicans disappear, affecting the economy and the state stops working missing the Mexican workers and dwellers.

A one-person psychological thriller created entirely by Matthew Simpson. An ex-military alcoholic begins experiencing unexplained blackouts, and the closer he gets to uncovering why, the more he blacks out, realising they’re being triggered by a trauma his mind is fighting to forget.

A brief look into the disruption of expectations and also jackets.

Home is where we grow up or settle permanently. And this home is always shaped by nature. Today, we human beings change and shape this more than any law of nature. HEIMAT NATUR is a visually stunning journey through the nature of our homeland, from the peaks of the Alps to the coasts and the depths of the North and Baltic Seas. In between is a cinematic foray through steaming forests, shimmering moors, over rose-blossoming heaths and the colorful cultural landscape around our villages and towns. In extraordinary images this nature is shown from its most beautiful side, examining the state of the native habitats. Slow-motion and time-lapse photography as well as intimate shots of familiar and unfamiliar species, some filmed for the first time, making the film a cinematic nature experience for the whole family.

This timeless experimental film draws on the work of 17th century scientist Robert Boyle to present a varied combination of texts, objects, colours and textures. The traditional tone of the cinematic impressions takes us back into the past (evocations of Boyle’s era, projection using damaged film stock) and the images have something of a cathartic quality about them. The title of this dream-like, mood- -inducing film, a tribute of sorts to the Irish thinker, was inspired by a Jorie Graham poem and underlines the nature of the 14-year process during which the film came together.

This short film, built around a randomly chosen name and composed of scenes shot within a single room over the course of three hours, features an introspective monologue that was shaped and adapted during the editing process. The narrative aligns closely with the emotional tone and visual rhythm of the piece, particularly in harmony with the non-original music selection, Maggot Brain by Funkadelic.