Vernos Juntos

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. This third installment continues the If You Were Me tradition. Directors Jeong Yun Cheol (Marathon), Kim Hyeon Pil (Wonderful Day), Lee Mi Yeon (L'Abri), Noh Dong Seok (Boys of Tomorrow), Hong Gi Seon (The Road Taken), and Kim Gok and Kim Sun (Capitalist Manifesto: Working Men of All Countries) participated in If You Were Me 3, creating shorts on human rights issues of their choosing, ranging from labor conditions to gay rights to discrimination.

New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

Four different couples have a romantic week over New Year's Eve. Both coming out of failed marriages, Ji-ho and Hyo-young are not open to the possibility of new love, while Jin-ah heads to the other side of globe and encounters Jae-hun.

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.

The second Gulf War from 1990 to 1991 represents in the collective Arab memory a turning point in regards to the Arab nationalism’s self-perception as well as a moment of deep historical and existential insecurity. Five Arab directors discuss the events from their personal perspective.

A romantic film composed of seven intertwining love stories. Couples in love offer a glimpse into their intimate private lives as they deal with emotional problems proportional to their age and nature. Teenagers experience their first romantic love; young artists try to cope with the success and fame that has invaded their privacy; a self-destructive bohemian encounters a pure, religious being; an unfaithful husband must make a fateful decision; a lazy cynic unexpectedly falls in love; self-centered seniors with unsuccessful pasts try together to build a better future, and love disrupts even the world of paid private prostitution.

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.

Mind Universe is made up of two episodes that share the same subject matter about a mind-uploaded artificial intelligence. Today Of Tomorrow is about a story of an old woman, meeting her deceased AI husband who has been mind-uploaded. Our Universe is an episode at a virtual online funeral of famous Korean composer Kim Hyung-suk and is about music, love, and family.

Seven episodes, each taking place on a different day of the week, on the theme of suicide and violent death.

Three episodes. In the first, Aurora lives in a luxurious apartment. Among some workers called to her house, she recognizes an old lover, who returns to courting her, but then empties her house. In the second, a boy released from reform school discovers that his mother is actually his father: a transvestite. In the third, a newsagent, suspecting her husband, who constantly pretends to be ill, is cheating on her, places a video camera in her room. She records his sexual encounters on a videotape that she sells at newsstands. In his directorial debut, Corsicato demonstrates a sharp and poetic talent (he was Almodovar's assistant) in creating three portraits of women that are also portraits of his city, Naples.

Four darkly funny tales about Lebanon: Activists planning a protest descend into internal strife. Three sisters and their mother argue while an incompetent plumber destroys their flat. Depressed life coach Malek wants to die and seeks help from a «death coach». A stand-up comedian who jokes about a meteor strike that could put Lebanon out of its misery, is blamed when it appears to come true.

Five grisly tales from a 1950s-style comic, including a murdered father rising from beyond, a bizarre meteor, a vengeful husband, a mysterious crate's occupant, and a plague of cockroaches.

Three macabre tales from the latest issue of a boy's favorite comic book, dealing with a vengeful wooden Native American, a monstrous blob in a lake, and an undying hitchhiker.

This follow-up to the George Romero/Stephen King-launched anthology series features five new tales of horror and a wraparound. The main stories deal with alternative realities ("Alice"), possessed communication devices ("The Radio"), vampires and serial killers in lust ("Call Girl"), mad inventors ("The Professor's Wife"), and hauntings from beyond the grave ("Haunted Dog").

A horror anthology film starring the U.K.'s own Tromette, Kitty Kiss, more commonly known as Nurse Meow.

Hořké pivo, sladký likér

A short film set in a train compartment during a single train journey. You can't just stop a moving train, you can't jump off, you remain part of it until it brakes itself. The familiar world remains outside, enclosed, passing by the windows, only reflected in the train's windows. Inside, a new ecosystem is emerging, temporarily independent, bringing together random combinations of people. It's not difficult to intersect destinies; all you have to do is enter the compartment. You never know who has boarded.

A band of fluffy little creatures are irresistibly drawn to a mysterious light from across the road. If they can even manage to survive the trek over, what awaits them?