Ultra Heroine Legend: From Anne to Seven

Direct-to-video documentary special focusing on the Ultraman Series, spotlighting the heroines who appeared from Ultra Q to Ultraman Gaia. The program features insights from the original production staff, who provide introductions to these characters. The documentary notably highlights three actresses: Hiroko Sakurai, Mitsuko Hoshi, and Takami Yoshimoto, sharing behind-the-scenes stories from their time working on the series.

The life of Eiji Tsuburaya, pioneer of Japanese special effects.

The landmark Japanese Tokusatsu TV series Ultraman became a massive social phenomenon upon its debut in 1966, reaching a staggering peak viewership rating of 42.8%. Six decades later, Tsuburaya Productions continues to introduce new entries into the Ultraman series, expanding its unique universe to a global audience across generations. This documentary brings together leading voices from the fields of cinema, Tokusatsu, and design. Witness profound testimonies from an international assembly of creators, including: Guillermo del Toro, Hirokazu Kore-eda, Hideo Kojima, Hideaki Anno, Shinji Higuchi, and Nicolas Winding Refn.

A special retrospective of the two franchises, with segments making comparisons between the different characters, their weapons, powers and so forth. The final segment of the special is the short film "Super Battle: Ultraman vs Kamen Rider" The main characters, Ultraman and Kamen Rider 1 appear on the scene separately, each fighting an original kaijin and kaiju. When the two monsters are nearly defeated, they merge into a more powerful kaiju. Ultraman experiences trouble and calls for Kamen Rider 1's help. Kamen Rider 1 is then able to grow to enormous size to fight alongside Ultraman.

Stage play centering around Ultraman Belial, Jugglus Juggler, Evil Tiga, Dark Zagi and Camearra after they are mysteriously resurrected in human form

Ultraman Zoffy explains to the audience about the history of the Ultra series alongside Pigmon, while having to fight off with various seijin foes.

The film centers around Ultraman Taro growing up, and wanting to join the Ultra Brothers in battle. His family, however, thinks he is too young. Taro eventually proves himself after saving the 5 Ultra Brothers from the evil Grand King, created by Juda.

The members of the Super GUTS force, one of whom is secretly Ultraman Dyna, are in the middle of a losing battle against an enormous monster on the surface of the moon, when suddenly a spaceship appears and saves them by zapping the beast. The crew of the ship claim to members of the world peace force that originally created the Super GUTS force, and they invite the GUTS members to enter their brainwave patterns into the ship's battle computer so it can be a more effective fighting system. It sounds like a good idea, but could they have some other plan up their sleeves?

Ultraman, Ultraseven: Great Violent Monster Fight

A star athlete reluctantly returns home to take over his father's duties as Ultraman, shielding Tokyo from giant monsters as he becomes a legendary hero.

The Japanese government sets up a special task force to fight the giant creatures suddenly appearing across the country. Soon, the squad unexpectedly meets a giant silver humanoid who starts appearing every time a space monster attacks!

A feature-length film produced by Tsuburaya Productions specifically for the English-language market. Composed of edited footage from several episodes, the storyline was rewritten for this adaptation with a new script and score.

A mysterious space sage entrusts Yuma with challenges that surpass the limits of his imagination with a stake too high. He asks, "Should you fail… then you… will lose your power as Arc." The burden of protecting Hoshimoto City alongside SKIP members are twisted by Sascal, who manipulates them, sending challenge after challenge toward Yuma. Battling giant kaiju, an evil alien bent on destruction, and a warped dimension where even time itself is distorted, Yuma must confront the ultimate test. Will he... will Ultraman Arc overcome the greatest challenge yet and protect the future, surpassing the limits of the power of imagination?

Ultraman and his comrades from M-78 (including a new Ultraman, Zero, the son of Ultra Seven) join forces with other allies to fight a massive army of giant monsters led by the evil Ultraman Belial.

A theatrical release of The Return of Ultraman episodes 13-14. It was released on December 12, 1971 as part of the Toho Champion Festival along with Godzilla, Mothra, King Ghidorah: Earth's Greatest Battle (edited from Ghidorah, the Three-Headed Monster) and shorter versions of The Adventures of Hutch the Honeybee, and The Little Match Girl.

A theatrical release of Return of Ultraman episode 29 as part of the Spring Toho Champion Festival along with other films like Godzilla vs. Gigan, The Adventures of Hutch the Honeybee, Mirrorman, and Mock the Oak Tree.

Ultraman Zearth hails from The Land of Pikari in Nebula Z95. He has a big red face and dislikes dirt, and will go to great lengths to wash it off his hands. His goal is to clean the polluted Earth. He transforms with an electric toothbrush, which is consistent with his hygiene fixation. He's not quite adept at being a superhero, but at least he tries his best.

Ultraman Shadow, Ultraman Zearth's most terrifying adversary yet, is brought to Earth by the murderous alien, Lady Benzen to be Ultraman Zearth's assassin. Ultraman Shadow is a warrior of darkness equipped with mysterious powers. Prepare to witness the ultimate showdown, colossus versus mighty colossus, the battle ground: Planet Earth!

Akio Jissoji's Ultraman is a 1979 Japanese tokusatsu kaiju film directed by Akio Jissoji. It is a compilation film made up of scenes from Jissoji's episodes of the original Ultraman TV series.

When GUTS-Select investigate mysterious disappearances, they learn it is work of an evil alien who intends to invade the Earth, called Professor Gibellus. However, just in time, a mysterious woman appears to help GUTS-Select.