Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
I HAD A... (DREAM) unfolds as a trip where dance, stop-motion animation, sound, and imagery interplay, far from established dimensions and expectations. Mushrooms immerse the viewer in a dreamlike space, where the film becomes a site for deviation and disruption.
Short experimental animation about childhood, school and mathematics based on my exercise book in second grade.
"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.
Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.
In 2057, a smart house remains standing in a world without humans after a nuclear war, along with the robots inside it. The robots continue their daily routines meaninglessly. While humanity has been destroyed by a power of its own making and greater than itself, this artificial order, in parallel, is also unable to withstand the greater force of nature for long.
A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
A visual and acoustic reflection about perception, deception, truth and the medium of film itself. Between visibility, irritation, structure and dissolution, a space arises for one’s own vision. An experimental film that wants to be experienced.
One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.
An animated poem about a dog, her human, and the consequences of a nasty habit.
A police officer has a fever dream after having too much sugar.
A scientist returns an alien egg back to its mama.
Serlasanha
Direct animation on 35mm.
3-D is a hand-painted experimental short film by Riley Hogan. Acrylic paint, ink and scratching were used to animate on clear Super 8mm film leader.
A disturbing cinematic opera from Melbourne film-maker, Michael Lee, presenting an intense emotional collage of film clips, original footage and complex object animation, structured loosely in the form of a Catholic Mass, to communicate the film-maker's traumatic Catholic experience. The film is intended in part as 'anti-imagery' in response to the iconography of Catholicism.
Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.
From the primitive touch to a 'twist, press, click'—— Piles of images generate and decay into the soil, they are the real flesh, also the intangible memory.
Non-Sequitur? Malapropism? — Who Knows…
Toby and his human are enjoying a peaceful afternoon, but a fleeting flash of light outside the window breaks the harmony. Something has changed.