ghost town.

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

The city of Chicago is plagued by gang violence on both sides of the city in this modern retelling of the classic Romeo and Juliet story. In the midst of their chaos, two young lovers must navigate their dangerous circumstances to escape their affiliations.

Set in present-day Los Angeles, Deep Cuts is a black comedy surrounding an average 20-something guy named Sal, who's recently been diagnosed with cancer. In the midst of his treatment, losing his hair, chemotherapy, depression and loss, Sal realizes his time is limited and the opportunity to seize his moment is fleeting. Forgoing what the world may think, Sal follows the passion he's always had: becoming a rapper. Under the alias "Deep Cuts" and with the help of his therapist, Sal reaches out to an old acquaintance from high school that slowly morphs into a mentorship. Through this experience,a new life begins for Sal. The life of Deep Cuts.

The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.

When his community's Rock Park is up for destruction for redevelopment, a young musician organizes a charity concert to save it.

Concert film and documentary of Mami Kawada's second live tour "SAVIA" featuring the live concert and the documentary in the making of the film for her "SAVIA" tour. The concert film itself was filmed on August 8, 2008 at STUDIO COAST in Tokyo.

Concert film featuring dream's live 2003 ~dream world~ tour on May 11, 2003 at Nippon-seinenkan. This specific film was special as it was Ami's birthday and the crowd was depicted singing 'Happy Birthday' during the encore.

A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.

A film pastorale set in the early summer near Elora, Ontario, where music students practice out-of-doors. Lush green fields, towering elms and a rippling stream near an old farmhouse provide a rich setting for young musicians playing solo or in groups on flutes, strings, and piano. Music has charm indeed when the mood is of lilac and the sweet pipings of spring.

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Demon Days: Live at the Manchester Opera House is a Grammy Award nominated live DVD by Gorillaz, It compiles live performances by the band from the 1st through the 5th of November 2005 at the Manchester Opera House that recreated the Demon Days Studio album.

Live at Wembley is a full concert-performance shot in London during Beyoncé’s first solo international tour Dangerously In Love.

Through collected footage, this self-made documentary highlights the collaboration between Alessia and her producers during the making of her third album In the Meantime, offering fans an intimate glimpse into the making of the visual and the personal connection Alessia has to each track.

Larion Dyakov is a painter, but he doesn't use paint; instead, he "paints pictures through music." He plays the viola and connects it to a chain of various effects devices to loop his phrases and alter the original sound of his classical instrument. The result is a mixture of classical and modern ambient music that can transport you to another world and paint a new picture in your mind's eye, if you let it.

The life of 20-year-old Nico from upper class Zurich is all party, sex and drugs when she meets Paco, the front man of a rap band. She finds herself drawn to his independent, creative and profound way of life, so different from her own. With naiveté and infinite self-confidence, she tries to adopt his lifestyle - without anticipating the consequences.

Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. She has ballet classes with the rigid and famous Monique Delacroix that she idolizes - Monique requires full commitment, discipline and hard work from her students. When Miles, who is a composer, invites Sara to help him compose the music for the dance choreography Sara's passion for hip-hop is sparked and she also falls in love with Miles. When she is assigned to perform Giselle in an important event, she feels divided between the technique of the ballet and the creative work offered by Miles.

The strong bond between two brothers is challenged when their chosen responsibilities set them at odds, with extraordinary consequences.