Portraits de Voyages La Réunion : Marche sur le feu

The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.

This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

Isolated bell-ringer Quasimodo wishes to leave Notre Dame tower against the wishes of Judge Claude Frollo, his stern guardian and Paris' strait-laced Minister of Justice. His first venture to the outside world finds him Esmeralda, a kind-hearted and fearless Romani woman who openly stands up to Frollo's tyranny.

Alex, Marty, and other zoo animals find a way to escape from Madagascar when the penguins reassemble a wrecked airplane. The precariously repaired craft stays airborne just long enough to make it to the African continent. There the New Yorkers encounter members of their own species for the first time. Africa proves to be a wild place, but Alex and company wonder if it is better than their Central Park home.

After the defeat of their old arch nemesis, The Shredder, the Turtles have grown apart as a family. Struggling to keep them together, their rat sensei, Splinter, becomes worried when strange things begin to brew in New York City.

Portrait of Lester Horton, a Los Angeles-based dancer, choreographer and teacher who trained many world-reknowned dancers and built the first American theater devoted permanently to dance. Former students and friends, including Bella Lewitzky, Alvin Ailey, and Carmen de Lavallade, help create a picture of Horton through interviews. Includes numerous dance excerpts.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

King Randolph sends for his cousin, Duchess Rowena, to help turn his daughters, Princess Genevieve and her eleven sisters, into royal material. But the Duchess strips the sisters of their fun, including their favorite pastime: dancing. When all hope may be lost, the sisters discover a secret passageway to a magical land where they can dance the night away.

This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.

Hosted by one-time M*A*S*H guest star Shelley Long, “Memories of M*A*S*H” included brand-new interviews with the cast as well as producers, creators and guest-stars. The 90-minute retrospective aired on November 25th, 1991 on CBS as part of its “Classic Weekend II,” which also included “The Bob Newhart 19th Anniversary Special” and “The Best of Ed Sullivan II.” Dozens of clips from over over sixty different episodes were shown. It was the brain-child of Michael Hirsh (also responsible for “Making M*A*S*H”) and coincided with the 20th anniversary of M*A*S*H.

Doug and his pal Skeeter set's out to find the monster of Lucky Duck Lake. Though things get really out of hand when some one blurts out that the monster is real.

Alexis, a talented and proud student of the National Ballet School of Cuba, spends his life practicing chassé and entrechats with his girlfriend and dance partner Yelenia. However, when his family moves to Florida to be reunited with his sister, he must adjust his expectations and dreams to a radically new environment. Alexis, facing rejection and homesick for his native Cuba, feels lost and alone. He must find his way in the world of American ballet while remaining faithful to his roots.

A documentary where the cast meet 20 years after the series started (filmed at the peak covid-19 outbreak) they do a readthrough of the first episode

In the late 1960s, with the triumph of bilingualism and biculturalism, New Brunswick's Université de Moncton became the setting for the awakening of Acadian nationalism after centuries of defeatism and resignation. Although 40% of the province's population spoke French, they had been unable to make their voices heard. The movement started with students-sit-ins, demonstrations against Parliament, run-ins with the police - and soon spread to a majority of Acadians. The film captures the behind-the-scenes action and the students' determination to bring about change. An invaluable document of the rebirth of a people.

A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

As a memorial to George Harrison on the first anniversary of his passing, The Concert for George was held at the Royal Albert Hall in London on 29 November 2002 . Organized by Harrison's widow, Olivia, and son, Dhani, and arranged under the musical direction of Eric Clapton and Jeff Lynne. A benefit for Harrison's Material World Charitable Foundation, the all-star concert took place on the day of the first anniversary of his death. Proceeds from the film also went to the Material World Charitable Foundation. The film was shot using discreet cameras from over twelve locations.

Acclaimed dancer Carlos Acosta introduces a new generation of film makers who use b-boying, ballet and contemporary dance to tell their stories. Subjects range from dancing in a bingo hall, acid attacks, body image and wellbeing and the mystical world of baby eels. Each is a remarkable fusion of dance and film. Anatomy of a Crooked Spine; Blast; Elver; Full House; I Am Soldier; I Dance Best with You; Inside; Inside We Break; Manmade; Petals and Pain; Scapelands; We Are Ready Now; We Are Always Here; Do I Have Free Will?

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.