Portraits de Voyages La Réunion : Marche sur le feu

Although μ's, the defending champions of the school idol tournament, plans to dissolve their group after the graduation of their senior members, they receive news that leads them to holding a concert event! The 9 girls continue to learn and grow in this new and unfamiliar world. What is the last thing that these girls can do as school idols? With the clock ticking, what kind of meaning will the μ's members find in performing the most exciting live performance?

Like footwork and Baltimore club, litefeet is both a genre of music and a style of dance: 100-BPM tracks that soundtrack an acrobatic take on b-boying and popping that has found a home in the New York subways.

In 1879 Paris, a young orphan dreams of becoming a ballerina and flees her rural Brittany for Paris, where she passes for someone else and accedes to the position of pupil at the Grand Opera house.

Jag Mandir is a quiet and often overlooked film in the vast oeuvre of Werner Herzog. Apparently, 20 hours of footage was shot that covered the whole fest and the film hardly presents us a twentieth of that. A native walking into the film in between may well fail to immediately realize that it is his country that is being shown and these are figures from the mythology of various sections of his nation. The bulk of the film consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace of Udaipur, Rajasthan staged by André Heller.

Portrait of Paris Opera prima ballerina Aurélie Dupont.

In a time before cultural arts education was being policed, a small community of student creatives was taking their hometown by storm. Comprised of archival footage from Anya Dillard's time as a student at West Orange High School, Lock Step is a film that commemorates the diversity, talent, and cultural impact of cultural arts organizations -- particularly the Ab-Salute Step Team, Nu Theta Omega Girls Step Team, and Jubilee Choir of West Orange High School.

unknit the ghost is a live show exploring addiction and cycles of trauma. The show combines live performers choreographed by Charlie Jimenez with projections by video artist Autojektor. Staged at PORTAL 002 - plantroom, Smeed Road, London - April 12th, 2025.

In Hoppla!, two choreographies by Anne Teresa De Keersmaeker are brought together and performed to the music of the Hungarian composer Béla Bartók: Mikrokosmos, seven short works for two pianos, and Quatuor no. 4, Bartók’s fourth string quartet. The reading room of the Ghent University library, designed by the renowned architect Henry Van de Velde, serves as location.

Two boys play poker on a dull afternoon. As one boy inadvertently touches and makes eye contact with the other, it sparks a beautiful, imaginative dance.

Brussels, La Monnaie Opera House. Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.

People dance during a performance of the Orchestra "The Afrokán". The film was banned, at the beginning of the Cuban revolution, for depicting an unwanted image of the Havana night.

A sensual and insightful film about three elderly dancers from Budapest. Irén, Éva and Ágnes - all between 90 and 100 years old - were once part of the early modern dance movement in Hungary. Taking the role of a dance student and dialogue partner Boglárka retraces how each of the elderly dancers transformed their lives and movement practices in order to survive the major socio-political changes of the last century. The film takes us into a personal and bodily encounter with three very different personalities and their relation to their past and present. Returning to the stage and performing in their private rooms, Irén, Éva and Ágnes reveal us an incredible richness of experience stored in their bodies. A choreography of memories.

"Looking for men and women aged over 65" was the small ad in a local newspaper in Wuppertal, through which the choreographer Pina Bausch sought senior performers for the remake of her dance spectacle "Kontakthof". 26 amateurs aged from 65 to 72 were selected. They rehearsed for over a year and the premiere took place in the early 2000s in Wuppertal. Lilo Mangelsdorff has accompanied this exceptional project with a camera. The result is a touching film, which focuses on the dancers' stand with their fears and inhibitions, their enthusiasm and passion.

In prisons ruled by toxic masculinity, dancing is an absolute taboo. But at Lancaster’s A-Yard, near Los Angeles, a group of young men, willing to take a chance to be mocked in the yard, start a dance class led by French choreographer Dimitri Chamblas. This class quickly becomes an intoxicating escape from their grim reality so they decide to create a dance show. In this exceptional context, the inmates engage with overwhelming sincerity, evoking their childhood, ganglife, the crimes, the prison, and their desire for transformation. Beyond damaged lives and a prison system on the edge of the abyss, DANCING IN A-YARD explores redemption and the capacity of human beings to reinvent themselves, when given a chance. And more importantly, how art and introspection can help see the light.

This show allows us to rediscover Maurice Béjart's career and greatest creations. Recorded at the Palais des Sports on May 31st and June 1st 2005.

The story behind the Uganda-based YouTube dance sensations who have endured devastating personal loss from famine and war, and use the power of dance and song to overcome hardship.

Artfully erotic nudity with plush, glamorous décor and sensual, atmospheric lighting: The Crazy Horse, in the French capital’s well-heeled eighth district, has been delighting audiences for 70 years with its special brand of classy Parisian cabaret.

Interpretation of the classical composition "Dance Macabre" by Saint-Saens, starring by skeletons dancing a waltz in a cemetery.

This colorful archival record of Québec City's Winter Carnival shows that many popular events of today—pageants, parades, boat races, folk dancing, fireworks, and torchlight skiing—were also favorites many years ago.

Original film material from the Bauhaus dances of Oskar Schlemmer.