Andrew Scott brings multiple characters to life in Chekhov's Uncle Vanya, filmed live in West End, London. Hopes, dreams, and regrets are thrust into sharp focus in this one-man adaptation which explores the complexities of human emotions.
An original rewriting by the Vetrano-Randini company of two one-act plays by Pirandello, ‘Sgombero’ and ‘L'uomo dal fiore in bocca’, whose threads are intertwined with surreal dialogues and lightning-fast quotes drawn from the repertoire of Totò and Vicé, fantastic and poetic characters from Franco Scaldati's theater. - Luigi Pirandello: L‘uomo dal fiore in bocca – Sgombero – Colloqui coi personaggi - Franco Scaldati: Totò e Vicé
Shadow plays flicker, birds call, and colour leaks into grey walls. In Starlings, live action collides with puppetry and poetic visuals as a teen girl transforms loss into light, reviving the fractured bond with her father through the fragile power of art.
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
During an interview, Tadashi, a young Spanish-Japanese actor who plays female characters in a theatrical practice similar to kabuki, will return to the past to relive his most intimate memories.
Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.
"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi
Nina, a young actress who finds herself in an emotional turmoil during her opening night, struggles with a rehearsal that challenges her limits.
Eusebio José Fernández López Reboredo Bergamín is a teenager in the 1960s whose dream is to be a movie director, but General Francisco Franco prohibited in 1964 all types of art. A coincidental encounter with another artist, named Antonio Mínguez, will change his life.
Anya is a wide-eyed uncorrupted understudy who has to replace the actress she idealises in the role of Medea, as she navigates within a morally distorted theatre company.
A socially awkward and volatile small business owner meets the love of his life after being threatened by a gang of scammers.
Telling the true story of Marvin Bijou, a young boy from a working-class family in a small village, who suffers constant bullying at school and home for being ‘different’ – too sensitive and too feminine. A chance encounter with a drama teacher opens the doors to a world that offers him the chance to escape his situation.
Kelly surprises Nancy late one night when he returns unexpectedly to the cold dark stage of an empty theater where they are currently in rehearsals for a stage play, a murder mystery. Kelly and Nancy have a lurid and salacious history as actors and lovers. He's come back to pick up a script. She's there to meet her husband the playwright. They're surprised to discover new props litter the stage; a real dagger, a loaded revolver and a blood-stained playing card, a Joker. As certain events begin to unfold, the reality of this “play-within-a-play” leads to a deadly finale where they find themselves caught up in a web of lies and deceit. And someone may pay the ultimate price in a deadly finale! Joker's Wild pays homage to film-noir, an 'Agatha Christie like' one act, a murder mystery that also has some fun referencing the post war classics. And was a festival favorite seen at various film festivals, broadcast on HBO and others, and won various awards such as a CINE Golden Eagle.
Femmes en colère
Movie of the stage play McQueen (written by British playwright James Phillips), at the St James Theatre, London, in May 2015 Featuring: Stephen Wight as Lee Dianna Agron as Dahlia, Tracy-Ann Oberman, Laura Lees and David Shaw-Parker
A Theater student named Laras witnesses her friends rehearsing for a performance. At the same time, Laras is in the middle of conflict with someone from her house hold
Le visiteur
While performing the role of Oedipus, a puppet decides to break the cycle and not accept his fate, defying the creator who pulls his strings.
The 2024 Senior BA students would like to invite you to a Playdate!! Bring your blankets, stuffed animals, and pillows as we celebrate the path that got us to where we are!
Sophia struggles with overthinking her life as a poor, nihilistic drifter. Exiled to a life of solitude, she has the chance to change it all upon meeting Liza one night... Did she let her in or was she destined to burn it all? The aftermath of their breakup is explored through three different angles.