Three women from three different social, economic, and ethnic groups discuss their lives in polygamous household.
Four women, four cities, four unflinching stories—this powerful omnibus film weaves together the struggles of women across Indonesia, from a midwife battling corruption to a teenager caught in betrayal, a mother fighting for her child, and a widow facing the harsh truth of survival.
Based on true events, Lakshmi is a story of heroism and untold courage. Lakshmi, a 13 year old girl is kidnapped and sold into prostitution. Thrown into this horrific, inhuman world where she is raped and brutally beaten she barely survives with the help of the other girls and her own will to never give in. Finally she is rescued in a police raid. Against all odds, Lakshmi shows courage where everybody else fails. Resisting all pressure - violent threats, coercion and bribes, she stands up in court and in a landmark case in India, succeeds in putting the traffickers behind bars.
Jason, an American lawyer, poses as a john to build a legal case against a pimp trafficking girls to Bangkok. Can he win the trust of a young prostitute known only as Number 18 and convince her to risk her life to testify against her pimp?
Bokolo and Mamadou, sweepers in the city of Paris, are looking for a way to pay for the return home of one of their sick comrades. When they find an old book of recipes in the trash, they discover a passion for French cuisine and decide to participate in a televised cooking competition.
COME SWIM is a diptych of one man's day; half impressionist and half realist portraits.
At a mountain resort, Kenneth Scott falls in love with Marie Beauchamp, an older woman who merely amuses herself with him. When she deserts him to open a roadhouse, he sadly leaves the mountains and, in the company of an old wandering poet named "Doc" Podden, travels to a little village in the woods.
The mysterious "K" takes a humble job and falls in love with his landlady's daughter, Sidney Page. Sidney discourages her boyish admirer, Joe Drummond, and seeks training as a nurse. Infatuated with the head surgeon, Dr. Max Wilson, she accepts his proposal, which infuriates nurse Carlotta, who also loves Max. Carlotta lures Max to a roadhouse, where Joe, mistaking her for Sidney, shoots Max. K appears and, assuming his true identity as the famous Dr. Edwards, saves Max's life by performing his "Edwards operation."
Six months after PETA's failure to fight Nippon, Hardo returns to his village in Blora. His presence is smelled by Nippon, tracked and pursued. In a chase one day and night before the proclamation of independence, a drama of struggle is revealed. The betrayal of Hardo's fiance's father is juxtaposed with the betrayal of his best friend Karmin; the resistance of Dipo and Kartiman juxtaposed with Hardo's resistance; the cruelty of the war and the ego of the invaders, a shidokan of Nippon juxtaposed with the deterioration of war victims of Hardo and Ningsih's father.
In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.
Jamila is a prostitute serving a life sentence behind bars. She surrenders herself to the authorities after admitting she killed a high-ranking minister, and refuses to be represented by any lawyer or request a plea to ease her sentence.
Padre Pio - La notte del profeta
Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.
Deemed "the D.W. Griffith of Turkish Cinema," Omer Lutfi Akad directs this 1952 film based upon real events that took place in İstanbul, in the following years of World war II. It is about a love triangle that led to homicide. It was a stylistic departure of what otherwise had been typical of Turkish melodramas of the time.
On the night of their mother’s wake, three estranged sisters divide their childhood home over a pot of magic mushroom tea while a family secret boils to the surface. A story about the tenuousness of memory, buried trauma, food... and psychedelics.
In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.
Nicolas, an aimless adolescent who hasn't yet found his way in life leaves his grandparent's home, hitchhikes to a small town, and befriends, Charly an outspoken and slightly older prostitute, a red-headed beauty who appears to ply her trade in the same no-nonsense way she clears the breakfast dishes. She seems to find something endearing about Nicolas' mussed hair and dopey face, so she puts him up in the teeny trailer home that she maintains with such hilarious fussiness. As their unusual domestic arrangement evolves, each stumbles vulnerably into new emotional territory.
A mother and daughter dispute is resolved by the "Yaya sisterhood" - long time friends of the mother.
With their father away as a chaplain in the Civil War, Jo, Meg, Beth and Amy grow up with their mother in somewhat reduced circumstances. They are a close family who inevitably have their squabbles and tragedies. But the bond holds even when, later, male friends start to become a part of the household.
An exploration of the growing friendship between small-town girl Laura, who is persuaded onto a hiking trip by her friend Merit, and Joosep, a middle-aged guide.