Amiante

Mistreated foundling Heathcliff and his stepsister Catherine fall in love, but when she marries a wealthy man, he becomes obsessed with getting revenge, even well into the next generation. [Originally aired on CBS's DuPont Show of the Month.]

A series of terrifying accidents and brutal murders leave a bloody trail into the subterranean caverns of an Opera house. Below the theatre stalks a man raised by creatures of the underworld.

Bus Money dons various disguises on public buses to protect the defenceless from the bullies and receives heroic praise. Money meets Tai Ngau, a righteous journalist, when they bear witness to the callous response of Manager Mo to the death of his servant Ah-kwai. Tai writes to redress grievances of the deceased. When visiting the family of orphans, he chances on his kindred spirit giving the eldest daughter Ah-yin a gift of gold. Money exploits the weakness of Mo and her connection with his son Sze-fu to swindle a fortune out of the lewd man for the benefits of the fatherless children. Her rage grows learning that Mo's friend Fong Hak-sang has pulled off a lucrative fraud on returned overseas Chinese and forces Ah-yin to pledge herself in paying off her father's debts. Money, who has all kinds of tricks up her sleeve, teams up with Tai and gives Mo and Fong their comeuppance before setting off on her next mission.

Industrialist Tam Kar-cheung knowingly puts the lives of his workers at risk so as to line his pocket with insurance payments. The chivalrous Bus Money gets into fisticuffs with Tam's chauffeur, Tam Biu, who bears a grudge against the assailant. When Money catches wind of Kar-cheung's vicious plot to set fire to a squatter area to clear the path for a property development project, she moves in and watches vigilantly for signs of arson. Soon, she saves Ah-hau, Biu's girlfriend and a young victim of drug rape, from her suicidal attempt by drowning. Money pursues fragments of clues which lead her to the victim's boss, Taipan Cheung who sucks up to his master Kar-cheung by drawing his prey to her trap. Money then organises squatter residences into fire brigade to guard against arson attacks and exposes Kar-cheung's evil. Realising he has been exploited for his blind loyalty, Biu teams up with Money to dispense justice.

Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.

'Ghostly Mother Blue Flower' Chiu Choi-wan has abducted a group of virgin boys and girls for the nourishment of her mind and soul. Alarmed by the abduction, Yiu But-fan, Kau Suet-mui and Hung Tin-bo make a night raid on the Hanshan Temple to release the children and set a torch to the bandit lair. Fuming over the arson, Chiu casts a spell on Kau, who kills the father of Chuk Yuk-heung in her cross-dressing persona as Yiu. Confronted by the angry Chuk clansmen at the Chuk Fortress, Yiu tries futilely to defend his innocence. Believing that Chiu has masterminded the framed murder, the fugitive infiltrates the White-bone Yinyang Cave where he finds himself attacked by Kau and Chiu. Demon-vanquishing Magic Monk, Chuk and Hung helped Yiu wrestle Chiu, who fled. Kau is nursed back to health by the monk and joins the fellowship in their quest to annihilate the demon. With all her venomous needles forfeited to the monk, Chiu gets her comeuppance, slain by Chuk's flying dagger.

Adapted from the short story by Franz Kafka, The Judgment is a psychological drama exploring themes of alienation, memory, and the lines between fantasy and reality. The film follows Georg Bendemann, a young merchant living 1900s Prague, who is struggling to maintain balance in an ever changing world. As his situation deteriorates due to complicated familial relationships, we are compelled to question the very nature of what we are seeing.

After finishing the course of junior high school, Kazuo comes up to Tokyo, leaving his mother alone in the unproductive northern district. He finds a job in a small laundry in downtown Tokyo and works hard till late at night. At a nearby restaurant a brother and sister are working, and Kazuo becomes friendly with the girl, Yoneko. Love blossoms between the two. However, Yoneko's brother objects to his sister marrying Kazuo.

Songstress Mui Yee-wah falls head over heels for painter Wai Tik-fung despite their age difference. Because Wai is a married man, Mui's mother is against the match. Mui falls ill from grief. Rich heir Siu Kar-wai seizes the chance to successfully propose to Mui. However, Siu is unable to let go of Mui's past. In a fit of anger, he fires a deadly shot at Wai.

Despite mixed emotions, Frederick Winterbourne tries to figure out the bright and bubbly Daisy Miller, only to be helped and hindered by false judgments from their fellow friends.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Ah Hing is made pregnant by her master Fan Chun-kit. Fan soon leaves for his studies overseas while Ah Hing suffers gross prosecution and is reduced to becoming a prostitute. In a momentary slip of a struggle, Ah Hing commits manslaughter. Now a qualified lawyer, Fan acquits Ah Hing of the charge, and intends to marry her to redeem his negligence in the past. Ah Hing, however, is determined to pursue an independent life.

Wong Chat is jobless. He is forced to become a burglar. He breaks into Han Siu-yu and her boyfriend Cheung Wai-lim's home, but it is just the time when they return. Wong hides in the closet. He eavesdrops that Han and Cheung are a couple, but Han is forced to become the tycoon Chan Koon-kau's mistress for a living. Suddenly, Chan returns, and Cheung hides into the closet too. Wong and Cheung meet in the closet and become friends. Wong is righteous and promises to help Han to escape from Chan's control. Wong and his neighbour Yeung Oi-lin disguise themselves as a pair of Singaporean rich couple and attend a banquet at Chan's home. They want to steal back the document that Chan threatens Han with. But they also find evidence of Chan's drug trafficking. When Chan find out about the stolen document, he confines Cheung and Han and kidnaps Wong's children. But Wong refuses to surrender. During their confrontation, the cops arrive after being informed by Yeung and arrests Chan on the spot.

Production company Taoyuan chose for its inaugural film a comedy and Fong Yim-fun gets to take a break from playing long-suffering roles and showcase her talents in making us laugh! She plays the spritely titled character, brandishing a fresh image. The film is an adaptation of the literary classic Romance of the Western Chamber, in which the Prime Minister's daughter (Law Yim-hing), under siege from rebel soldiers, is rescued by a plan formulated by a poor scholar (Law Kim-long), with whom she is in love. But her mother (Poon Yat On) reneges afterwards on her promise to let the rescuer marry the daughter, and the clever Red Maid steps up as go-between, devising a series of sharp-witted tactics to help the lovers.

Victor Frankenstein's search for the secret of life leads to the creation of a monster that consumes his life and family.

A poor taxi driver offered a chance for a better financial future must weigh up the cost of walking away from what he most values. // In a world first omnibus collaboration between emerging Asian movie powerhouses, China, Korea and Australia, comes the classic adaptation of Loa She’s The Rickshaw Boy. Set in three locations, across three countries each thirty minute chapter tells the story of one man’s struggle for survival amidst the age of disruptive technology and explores the intimate relationship that has come to exist between man and machine and the evolution of that relationship.

Hong Kong's Ironman stepped up to the plate when Dr. No (1962) took the world by storm in the 1960s. Tso Tat-wah, the quintessential tough guy of Cantonese cinema who had appeared in dozens of popular action films, was licensed to spy in several 007 imitations. Here, he is Agent 303, the lucky number "3" a vivid sign of East-West integration. Presented in glorious widescreen, the film is garnished with secret weapons and ominous hideouts, mind games and technological intrigues, violence and sex, the latter in the form of a silhouette striptease!

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

The Diamond Gang commits a robbery. The leader Chiu Yee-kong wants to keep the booty and this arouses the suspicion of gang member Tai-wai. The police does not have a clue and thus invite Wong Ngung, Heung Ad and Wu Ngar for help. Kong is in accomplice with his third concubine. They order someone to steal the diamond and leave Wong's symbol. Wai turns his attention on Wong. Wong, Ad and Wu are not afraid of Wai and they throw him out. They sneak in Kong's apartment to investigate. Kong's second concubine is mad at Kong for neglecting her. She tells Wong the truth but gets killed. Kong's people surround Wong, Ad and Wu. Each of the three faces their enemy. Ad is tortured by Wai. Wong and Wu arrive in time and save her. One of Kong's people tells Wai the truth. Wai immediately attacks Kong. Wong, Ad, Wu and the police arrive at Kong's headquarter to arrest the gangsters. Wai is arrested but Kong has escaped. The diamonds are found. The inspector makes Wong, Ad and Wu as partners.